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An Interior Presence
Against a mat of black sleep small blocks of time, in which one may be
seen moving about, industrious and productive, small frames, with which
and within which much may be deemed done with alacrity, accomplished, a
mosaic of small wonders almost directly observable like graves in a
field of quartz, or jewels in a sock in a bale of rags, all not to say
cramped but expansive, activity bordered by what may be assumed to be
unconscious planning for focus and the recruitment of minutes, the
blandishment of sleep that begets the disposable apparatus of function,
function being the cells, the dendrites, bubbles in ancient ice,
fleshcurve in river bank sand, all bearing the light of discovered
resourcefulness, where rest is the curse of motion, rest required if
any knowing is to be viewed, viewed as assembled bits of binder and
bridging, with preparation wholly unknown and not to be kept or
observed but essential, a lattice of enablements so austere as to be
elegant, like peacocks ennobling the morning dead with the regalia of
folded eyes, all a tempting request for a place out of time in which,
looking in, such looking and the doing of it, resolves the eye.
Thwarted
I was wrestling with a frogwoman, saying No under the grasping sheets,
but she was all over me in a gelid, muscular wriggling. And, of
course, there was no speaking—just a billow of throat skin pressing my
face and sucker-feet pumping at my legs so fast and hard I woke up and
woke her up, too. "You wish," she sneered in the dark, chopping covers
beneath her for a barrier.
The Ex-Husband
It’s raining hard. A man wearing thick-lensed glasses sits weeping in
his car. He looks through fogged binoculars, through the spattered
windshield, through a fourth-floor apartment's double-paned storm
window, behind which is set a large aquarium. He can't see a damned
thing.
The Burden Of Vigilance
One would have thought that the sheer volume of Supreme Court decisions
would have been sufficient to stall the threat to civilization posed by
the march toward ever more raucous displays of emotion in public
places. This said, please note my promiscuous reticence to admonish
when it comes to the subject of abject loneliness experienced at the
cinema-loneliness not the least bit germane to the coruscation of
images at hand, but rather a remorse brought to the fore by the
presence of motes and smoky effluvia sifting upward through that
dimension of film which is the beam before it strikes the screen. As
if, somewhere within the speed of light, there is a room, within which
all the ample depredations of the day are stored, along with a chair,
and a watchman, the watchman being-ipso facto-that person who, in the
cinema, is grossly aware of a dull place within the only definitive
velocity. My burden no doubt delights those hungry for spectacle. But
they are mere popcorns.
O'er The Ramparts
So beset am I—so taken aback by the voluminousness of the task before
me—I can merely hold a sheaf of papers and drop my hands in my lap,
demonstrating, I say demonstrating the torpor that resides in
accumulations which find the mind a smear of white indisposed to the
rash of letters and figures that make the eyes itch. My hands fall
into my lap—fall as if to say There is the television set. As if to
say you Could go to bed, but the sheet is just another white page. As
if to say Sleep is carboniferous, sleep is the flocculent of life. As
if to say I really did happen to glance at a shadowy glare cast up from
my watch crystal in the midst of the city, and it was a forest, it was
not there. As if to say I thought immediately I must write this—I
must let go of the paper and write this in the high wind of dreams that
make one list and speak badly of one's circumstance—that makes one
bend and scrawl upon the spumescent tatters, with an elephantine pencil
and a scowl.
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five
prose
poems
daryl
scroggins
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