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Also by Lisa Chavez: The White Professor Holds Forth on Indians | Surrender | Guns SurrenderHe was the one I couldn't resisthis voice alluring as distant thunder on a summer afternoon, thrilling me with the possibility of danger and the promise of rain. Like thunder, his voice offered a thrill of pleasure; my legs went wavery as water at his words. I left a husband for him, a child. All I had were his stories, the shimmery future he wove for me as we lay in a sweat-soaked motel bed. I believed it all, and so did he, though that future was never quite in sight. Now his words buzz like blue bottle flies, nuisances I wish I could just slap away. His hope faded with opportunities that never arose, with the slow loss of his lookssandy hair turned dry and sparse as the grass growing beside our trailer. He still drinks his whiskey without water, but in the morning his hands shimmy like his old truck as he guides the doctored coffee to his mouth. The bad boy collapsed into this ruined man. Some afternoons, drunk on memories and dollar shots, he flirts with the girls bored enough to find their way to this end-of-the-road dive. He tries to spin his magic, and his voice it's still goodsugar smoky and smooth. A couple of quarters in the juke box and he asks them to dance, and sometimes they do. He's no longer the agile man who spun me into a trance, now he lumbers along as the girls gaze past himoutdated and pitiful as a lame dancing bear. Friends pity me as they watch his pathetic
Surrender.
Printed in the Spring/Summer 2000 issue of CLR |
Lisa D. Chavez is a Chicana Mestiza born in Los Angeles on the winter solstice, and raised in Fairbanks, Alaska. Her first book of poetry, Destruction Bay, was published by West End Press, and her second, In An Angry Season, was published by the University of Arizona Press (Camino del Sol). She's had poems published in The Americas Review, The Colorado Review, Blue Mesa Review and Prairie Schooner among other places, and had poems included in the anthologies Floricanto Si! A Collection of Latina Poetry (Penguin), The Floating Borderlands: 25 Years of U.S. Hispanic Literature (University of Washington Press), and American Poetry: The Next Generation (Carnegie Mellon Press). Her creative nonfiction—part of a longer memoir-in-progress—has appeared in Fourth Genre, The Clackamas Literary Review and other places. She teaches at the University of New Mexico Albuquerque. You can
find Lisa Chavez on the web at: |
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Published by Clackamas Literary Review, in print and on the web at clackamasliteraryreview.com, www.clackamas.cc.or.us/clr, and webdelsol.com/CLR Copyright © 2001-2002, Clackamas Community College |