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Introduction
Surprise! What hasn't the reader seen before?
What works have new energy and fresh observations? After the editors of
the Clackamas Literary Review asked me to write an "introduction,"
I approached all their manuscript selections with a keen eye for pleasant
surprises, unfamiliar situations, wonderful discoveries. Twenty years
of editing have taught me thistoo many submissions are dog-eared
with familiarity. I have read numerous tepid works about jogging, aerobics
classes, frustrated writers, professors struggling with mid-life angst.
What's new? Jim Manuel's "The Stuffed Dog Man" sets the standard,
I think. Both surprising and unsettling, the narrator's ironic quest,
the dark humor of the piece linger in my memory. The same for H. Lee
Barnes' "A Lovely Day in the A Shau Valley." No other person has written
about Viet Nam in this fashion. Manuel's story is his first publication,
and I'm certain the editors are proud to introduce this new voice.
Other surprises? Read Amanda Kaplan's "First
Words" and Paul Berg's "Humpback." I yearn for terrific endings
like these.
Working people have little representation in contemporary literature.
Most working people are at the plant or warehouse, not in writing courses.
As a result, too many stories about "working people" betray the prejudices
of the upper classes, portraying workers as ignorant or degraded.
Five years ago, Katheryn Stavrakis and I edited Dreamers and Desperadoes,
an anthology of writers from the West that included women, ethnic groups,
and working people. New voices emerged from this collection including
Robert Stubblefield's. As with his other works, the CLR selection
"Lateral Moves" depicts working people with breakheart honesty. The
relationship between Smitty, an apartment manager, and David, his assistant,
call to mind James Alan Macpherson's wonderful 1969 story "Gold Coast."
In this society, people like Smitty and David are overlooked. They need
"voices" and Stubblefield gives them authentic ones.
As a former long-distance runner, I appreciate the “long-haul" writers,
those who have been shaping their craft for decades. Verlena Orr conjures
holiday Idaho, Paulann Petersen India's moonscape, and Pamela Uschuk
Australia's aboriginal songlines.
Three other veterans deserve special recognition, and readers unfamiliar
with their works should get started at once. Ron Carlson offers witty
and wise "promissory notes" from his shopping bag of ideas. Naomi
Shihab Nye once again demonstrates the clarity and compassion of
her poetry. Melissa Pritchard writes a powerful essay on region and
voice.
In conclusion, the editors of CLR merit kudos, and the publication
itself emphasizes the expanding role of the community colleges as cultural
centers. During the last three years, some of the nation's most recognized
writers have spoken at Clackamas Community College: Diana Abu-Jaber,
Edward Albee, Sherman Alexie, Marvin Bell, Ron Carlson, Toi Dericotte,
Colleen McElroy, Naomi Shihab Nye, Sharon Olds. CLR affords the
opportunity to hear other important voices. Thank you for listening.
Printed in the Spring/Summer 1997 issue of CLR |
Craig Lesley is the author of three novels, The Sky Fisherman, Winterkill, and River Song, and the editor of Talking Leaves: Contempo- rary Native American Short Stories and Dreamers and Desperadoes: Con- temporary Short Fiction of the American West. His work has received the Western Writers of America Golden Spur Award for Best Novel of the Year, the Medicine Pipe Bearer's Award for Best First Novel, and two Pacific Northwest Booksellers' Association Awards. He has been the recipient of a National Endowment for the Arts Fellowship, a Bread Loaf Fellowship in the Novel, two National Endowment for the Humanities Fellowships to study Native American literature, and in 1996 Craig was nominated for the Pulitzer Prize for his novel The Sky Fisherman. He has taught English and creative writing at the college level for fifteen years and makes his home in Portland, Oregon, with his wife and their two daughters. In 1991, he received a Doctorate of Humane Letters from Whitman College. You can
find Craig Lesley on the web at: |
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