INTAGLIO (a love song for the living dead) My Sweet engraveable You depressed below the surface smooth to the touch saddest at that carving craving elision so that an impression by design yields a cameo afloat you are what you are not an image in relief composite of loss re-leaf what a good tree does reel off one good reason one last fish real if you're loved says the velveteen rabbit real if you're ending your rending a remnant collage I know a Paradise when I see one, because I've seen one. The trick is now to see another till I see One again. (1) the sunken treasure of a semi-precious life vitreous excised from inside which is to say brittleness + luster I've entangled with the dying light think tango the big dip (One) per lifetime my drop-dead Lovely prized-consolation kisses goodbye the art or process of executing the art of losing just enough printing (die-stamping & gravure) done from (done for) the image sunk below the surface lowering the body (absentee voter) formed from emptiness Beauty has three possible endings and only one of them is bearable. (2) I mean cut into which is to say taken from cut it out the five points of a body star or human doll cut from the flat felt of skyscapes by this I mean those people-shaped places in midnight traveling twice light's speed (half godspeed) Captain Valentine will do everything possible to avoid turbulence. (3) a shoebox full of hope & sweet minutiae tucked under one arm kindly reupholster this fabric everafter with more minutes a soft landing an impression from Earth I would like something of a garden (she grew basil from seed for you) sole paradise served whole won't hold us so hold On(e) 1: Donald Revell 2: Larry Levis 3: Anonymous flight attendant, Flight 1431 Chicago to Salt Lake City. __ AGAVE DESERTI (a questionnaire on xeriscaping) One put lost love & locusts as the fill-in-the-blank response for describe last year at this time. For what season do you feel now? Someone said I've had a hand up August's blouse. Another responder noted the yellow jelly sun. When asked where are you? someone replied: canyon-steeped like a good tea. The soft lips of clouds at the edge of certain skies. Another mentioned The ski lifts of his eyes. What season do you feel now? Winter crickets sprung from cages. What kind of music plays against time? There were, as stated, crickets & hip hop & a half-dollar's worth of wisdom gathered on the Russian sage of a pretty broker's lawn. Which month is a good kiss? June is a pretty-broker late-arriving & itching to leave. What color does that make you feel? So yellow: that sunlight, a white car, and the sense that one could drive & drive. What might constitute a good weather? The rain of cheap (poetic) champagne. If a body were a house...? Sadly, she might slip by the motion lights without tripping them off. Whose radar is this & what does it track? The disappointment of sparrows, a spill of lilacs, fallen apples turned to wine out back. Rest easy, the crucial questions will go unasked: How long will the kniphophia stay in bloom? How do the living motor around on the fuel of the dead & where, pray tell, might it take them? If we were really were doves wouldn't this re-claimed desert be some kind of complete, some very divine? ____ INTAGLIO was rather coincidentally or mimetically an exercise in excision and textual windows and doors, plus a little collage. I wanted the poem to recognize the more obscure but deeply-cool definition of a variety of grave as well as the sculptor and print-maker's take on that term. Death, sex, art, and print—who could ask for more? But since I'm greedy, I went for Revell, Larry Levis and Captain Valentine—and yes, that actually was the pilot's name. AGAVE DESERTI came from an on-line poetic questionnaire, a talk with a hip hop aficionado, and a front yard in Salt Lake City, Utah (hometown of the poet) which was trying to get honest with its climate and the annual rainfall and the desert plants that should grow there. |