I can't imagine desire anymore. I want all these bulbous, terrible things; they gather scraps of red hair or nail clippings and nest in my ears./ I hold up two fingers like dolls. They walk around each other, menacing, and one is prettier than the other. The prettier one's face is pleasant and round, it makes people want to look at her face and kiss her. I hold up two fingers like fat rolls of seaweed and eat them both, though one is prettier than the other. Both taste cold as if they spent Ohio nights swimming. I hold my entire hand up; there are terse, definite lines running down the length of it, pulling brambles from my lips, making sure I know that one is prettier than the other even when there is only something beautiful, a hand: short sure fingers missing the feel of girth, finally turning to face each other, bow-fingered and sloppy. Only hands are fierce, everything else drones./ Marilyn looks glossy, doesn't she? Before the surgery which encouraged her face to mimic she divided her red mouth happily, kissed unsurely at the ocean. She never tarnished, only bit nervously into air, or whatever element was closest. Lunged at them all. Now we want pictures to purge us, to let us feel that ground is ground, water water, beautiful things slid like drawers, easy./ Thickness is not imaginary, it's pure. We put it behind our eyelids and let it make scenes for us, let it build lives. Thank goodness for this! I cry, and for the way men look at me when I turn my mouth downwards, sullen. As though I am foggy, ghost. The chance to be a vessel./ Fantasy plays a part in the way I maneuver, slick flourishes, filed acrylic nails tapping richly on thin glass. Here I bend, balk, and bray, become something animal for you, curl my talons into knots. Hunched inwards stealthily, I wait like this for years, grow briny, fins, take to water— in the end not bound by air, only breathing wetness, smelling salt./ One moment was so final, so complete: legs lifted, propelling the body forward. My pale, simpering summer body bent in arcs, unforgivable, forgetting to take over./ It came for me, torridly and precisely, sitting like sparrow on tree tops, watching. I peel away patches of skin in anticipation, become raw and effervescent. It watches and gets turned on, gives me the eye. Winks and reaches for some nasty place. I give it my best show, my little hands. My pink, rare skin./ Earnest bulbs of spit hang from each corner of my mouth; I ask, Do they look like sisters? Bitter things whistle like teeth, bone exposed./ __ "Desire Not Well Tended" is the second part of a five part novella-in-verse. The novella attempts to dissect and explode notions about desire while exploring the ways that trauma can complicate it. |