Sigmund Freud
"If it wasn't for pickpockets, Sigmund wouldn't have any sex life at all."
That's not funny, that's not original. "Unsatisfactory Citizenship." A No. 12 on your report card. That's not funny, either. Or smoking pot. Or bookmarking G-spots on the Internet. I swear, if you snuck outside to fart, the wind would blow it back in. Sigmund, You the Man. A little help, please. Cure this Oedipal itch, marinade this meathead
Freud, old and quiet, sipping from a whitebone coffee mug adorned with the image of the Sphinx. He's mourning a lost dream, picking a piece of lint from his beard. Nearby, the famous couch covered with an oriental rug; I can smell its horsehair stuffing, I can smell his cigar. "Humbaba, Humbaba," you mumble, attracting his attention with a Gilgameshic mantra. You plan to manufacture a key ring in the shape of a brooch bearing the face of this bearded old man. "Humbaba, Humbaba." "That's not funny, either," I say, then get distracted by a flamboyant entrance. It's Wilhelm Fliess, alias Chard deNose, commissioned to explore your corpora cavernosa, a phrase you'd understand if you ever flashed your flash cards. "Ain't got no biorhythms," you laugh, "ain't got no self-control. Can't even dance." But Fliess will have none of it. He has you strapped to the couch, giving you a fascist facial, poking at a mound of nasal flesh with a sharp scalpel. "I'll give you Humbaba," he says, as Freud looks on, toying with a thick piece of gauze.
Albert Einstein
Albert said: "Our situation on this earth seems strange," and I certainly second that emotion. You say, "I want to be like
Albert." And who wouldn't. To have a head naturally swollen with B-12. So nice to say, "That woman is a violin," and watch people perk up, listen. Yet did you know his grandmother vomited when she first saw him? It was that same head, as big as a watermelon. No wonder he didn't speak for three years. He was fixed on the face of a compass, entombed in an imaginary spacecraft exiting our galaxy's backside. None of his pegs fit
Contrasts between you and Albert: Albert was saddened at the regimented motions of soldiers; you're aroused by twelve one-arm pushups; Albert blushed at the marriage of a curved line and falling apple, at a star without compassion; you're starstruck by a little girl in pink hot pants; Albert compared fame to "feeding time at the zoo"; you want to broadcast your pimple picking on the Internet; Albert
"Would you please please please stop talking?" Nocky boy, all he wanted was to see God, to spend his life straightening out one enormous paper clip. Which is where we find him in his old straw hat and rumpled white suit. He looks up, and we await other grave statements from another Great Man. "I'm with the boy," is all he says.
Bio Note
Peter Johnson's two books of prose poems are Pretty Happy! (White Pine Press, 1997) and Love Poems for the Millennium (Qulae Press, 1998). He received a creative writing fellowship in 1999 from the NEA.
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