Cole Swensen
The Hand Photographed
Here we tend toward particulars, though they remain black & white and/or the black before the door, the white, slipping out. They're more angular than their portraits would have led you to believe you could live here too - we're not as poor as we look. Photographs have a way of implying that it was a little cold that day, or that we live like pets in the laps of everyone who wanted something else.