A Still Life
Bob Highsmith considers himself an
upstanding citizen. He's a real-estate broker. He owns a modest size business on 574 Main street, near Campagna's pharmacy. He employees four agents and one secretary. He smokes big, black cigars. He says they're Cuban to those who don't smoke cigars. Bob's hair is gray-speckled white and on his upper lip he wears a slippery thin mustache that looks as though he painted it on with a magic marker. He says to those who don't dye their hair that it's naturally black.
Betty, his wife, is a blonde. Her eyes are stone blue and her lips are
full and expressively red. She keeps a
diary. She uses a tiny copper-colored
key to open the clasp. She writes
diligently everyday as if she were
errantly snowbound. She is quite utterly
alone until Bob returns from the office.
The words in her diary are not the same
words she uses in real life.
The couple have been married for
twenty-three years. They have lived in
the same house for the better part of
them. In front of the house there are
two maple trees, a bright yellow mail
box, a brick walk to the front door, and
a black-top driveway to a two car
garage. In back of the house there's an
in-ground pool. The pool is dry and
filled with twigs and autumn leaves.
Bob is in the kitchen reading the
Evening Journal.
Betty is running her fingers over
a rump roast.
Outside, an easterly wind is poking
its nose at every window. Soon the pink
clouds will turn dark, and Betty will
have to turn the lights on.
The next morning, Bob is sitting at
the kitchen table reading the morning
paper. On a plate in front of him, are
three strips of bacon, one fried egg,
and two pieces of golden brown toast.
Betty is standing over the kitchen
sink, peeling large, new potatoes. Three
skinless ones are sunken into a bowl of
water. She pauses for a moment and
stares out at the dwarf cherry trees,
swaying a little in the wind in the
backyard. Long tufts of grass sparkle in
the sunlight.
Betty is barren.
Bob pushes the plate away.
I'm not hungry, he says into page
three. If this guy Kennedy is
elected, the interest rates will go
right through the roof. He turns the
page. Mark my words, right through the
roof.
The navy blue sport coat he's wearing
smells of last night's cigar and beer.
Betty stares at the eyes of the
potato she's holding in her hand. The
translucent skin reminds her of her
eighty year old mother-in-law's face.
Her mother-in-law resides now at
Crescent View nursing home.
She rinses the paring knife. The
solid wood handle fits snug in her hand.
For a moment she thinks of using the
blade to dig up weeds in the garden.
Bob stands, folds the journal, and
places it into his back pocket. He walks
up to his wife and says, Smell this
jacket.
Betty is reluctant to let go of the
potato. She leans into her husband's
coat and wrinkles her nose. It stinks,
she says.
I know. I know. He takes the
jacket off. Goddamn it. It's the
only one I got. The other two are at the
cleaners, aren't they?
She nods her head. The potato is
heavy in her hand. She cuts into its
skin and begins a long, thin slice
around the body.
Have you seen your mother lately?
What the hell does that have to do
with my jackets? He throws the smoked
filled jacket over a kitchen chair.
Sometimes. I don't know. Sometimes. He
pulls out a big, black cigar and lights
it.
Please use the ash tray.
Bob looks at his watch. Oh Christ,
I gotta run. He races to the front
door. What's for supper? he calls
back.
Potatoes, she says, and plops the
last one into the bowl.
I'll eat at the club, he shouts,
and walks out.
Betty turns the faucet on and
scrubs the white flesh clean. Outside,
the morning dew melts away unnoticed
while the wind makes another pass
through the weeping cherry tree.
That night, Bob is sitting up in
bed sorting in his mind, prospective
home buyers by their annual gross
incomes. He always likes to tackle the
higher brackets first. They're so
impatient, he blurts.
Betty is propped up comfortably on
her oversized pillows, reading the New
York Times No.1 bestseller by Robin
Cook.
Housing has run amok, Bob had
exclaimed a week ago to his friends who
have lived in the same neighborhood for
the last thirty years.
He puffs rapidly on his big, black
cigar. Fat globs of smoke give the
impression his entire face is smoldering.
This is your last chance, he'd said,
to get in on the money. Believe me, it
won't come again.
Betty shuts the book and looks at
her husband. His eyes show excitement
big, round, and wide awake. His hands
are animated. He is making a point.
Housing has run amok, he says to
his wife.
Betty opens her mouth to respond,
but she knows better. She places Robin
Cook on the quilt where a large space
separates their legs, then leans across
the bed and opens the drawer to the
night stand. She pulls out her diary,
and unfastens the small copper key that
is pinned, always, to her dressing gown.
She opens the diary and passes her
fingers softly over the next blank page.
Betty, he shouts. I'm going to
sue that newspaper boy. Two weeks and no
plastic bag. Everybody else in the
goddamn neighborhood gets their paper
delivered in a plastic bag except me. I
won't stand for it. I've told him time
and time again, the grass is wet in the
morning. He puffs emphatically. No
tips. You hear me, no tips.
The wind, towards midnight, has picked up
significantly, lifting and flapping the
edge of the bay window's blue awning,
and inside the double dormer cape, Bob
is on his back snoring, and in the
ashtray, the cigar is a long, gray ash.
A peek-a-boo light in the hallway,
shines through the bedroom door just
out of reach of Betty's sleeping hand. The
diary lies open on the night stand to
November sixteen. It reads: BIG FAT
TIP, in the otherwise, clean, white page.
Joseph M. Faria was born on the island of Sao Miguel, in the Azores. His short story "Threshold" won 2nd Prize in the 1997 CWA National Writing Competition. His first book of short stories, From a Distance, (Nova Grafica, Lda., Azores) was published in 1998, and a book of poetry, The Way Home (Lit Pot Press Inc., Fallbrook, CA) in October, 2003. He has poems forthcoming in the print journals NEO, Riven and Poetry International. Joe is also the Contributing Editor of the web quarterly, Linnaean Street. He lives and breathes in Warren, RI.
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