Heather's Dad had once fucked David Bowie which was weird
because in those days, said Heather's Mom, he looked just like
him. Back in the Sixties, just about any kid could fuck a
celebrity "and I," Heather said, "have to make do with you." She
was sixteen and so was her boyfriend Gregory.
They drove past the bank. An armored truck was parked in
front, two men unloading money from the outdoor ATM while two
guards stood on the sidewalk with guns drawn.
"Jesus," Gregory said. "You would never see that in New
York."
What Heather enjoyed most about having a boyfriend was
getting educated. There were boys who'd humiliated her, hurt her,
used her. She never referred to them as dirtbags, instead: "a
learning experience." Gregory, because he was a recent
transplant, served to expand her horizons though she was
beginning to think New Yorkers weren't terribly attractive and
they were always indignant. When the supermarket started
fingerprinting customers at the checkout line, Gregory carried on
about fascism and the police state. "It's for our benefit,"
Heather said, which is what she'd heard on the TV news, but
thanks to Gregory, she was beginning to see there were at least
two sides to any issue. Most of the time, though, she believed a
positive attitude was more important than seeing two sides.
They were in Heather's car. Gregory didn't know how to drive
and as it turned out, he didn't know where the theater was,
though it had been his idea to go.
"Try the next block. Around here somewhere," he said.
The only play Heather had ever seen was You're A Good Man,
Charlie Brown and that was in junior high school, and she'd
played Snoopy.
"It's got to be around here," Gregory said. "The number is
1200."
They drove around the block and around again. Heather said,
"The cops are going to get us for cruising."
No theater. Instead they kept passing the Pacific View
Apartments. The building looked familiar. "It's where that man
lived," she said.
She'd been over at Gregory's when it came on the news.
"We're learning more about the gunman," the news anchor said.
Gregory said, "He was a very quiet man. He paid his rent on
time." On-screen, the apartment manager repeated those words and
when Heather grabbed Gregory's arm and said, "You're psychic,"
they had a fight.
Gregory said he'd been surprised to find himself so
impressed by Southern California. Contrary to stereotype, people
were very intellectual, very bright but it got to the point where
he'd longed to meet a true California airhead and he felt very
lucky to have found Heather.
She said, "Well, you're no David Bowie," and started to cry.
That had been a week ago and now, passing the gunman's
house, instead of remembering Gregory's cruelty, she felt close
to him, as though they'd both survived the rampage.
"Pacific View," she said. "You'd need a telescope on the
roof to see the ocean from here."
A man came out of the lobby and yelled at them. "Aren't you
people tired of gawking?"
Heather explained they were looking for the theater.
"Other side of town," the man said. "You came east. The
theater is west. It's nice to see young people take an interest.
What are you going to see?"
Gregory told him.
"You mean the thing what's-his-name wrote with Patti Smith?
I'd like to see that. Think you need reservations?"
"Not likely," said Gregory. "Not in this town."
The man got into the backseat of Heather's car.
At the theater, he insisted on paying for all three.
At intermission, Gregory said, "We weren't gawking. But did
you know the guy?"
The man said, "I did. And I can tell you, as I once heard a
priest say in a similar context, he was better than the worst
thing did." Then he asked Heather what she thought of the play.
"I don't know," she said.
He nodded. "It was better in its own time and place."
The streets were dark when they drove him home.
"I can't get you into his apartment," the man said, "but if
you come in, I can walk you past his door."
"I don't have a morbid curiosity," Heather said.
The man said, "My own apartment has the same layout. If
you'd like."
"No thanks," said Heather.
"At least roll down the window," said the man.
She did.
"Smell that. Star jasmine. On the whole block, they planted
it for ground cover. It's the little white flowers."
"Yeah, I know," Heather said. "It's nice."
"Star jasmine and motion sensor lights. I come home after
dark and walk down this street and it's like a red carpet being
rolled out. I walk along and the lights come on one after
another. Magic. I love it here," said the man. "I've been here
almost a year." He said, "When the police came for him, I didn't
know it was for him."
He got out of the car and before entering the building he
turned and waved.
"What do you think he did?" Heather asked.
"What makes you think he did anything?"
She said, "Once you could fuck anyone. Now you can kill
anyone."
Gregory said, "The Sixties weren't all that great. Turn
here," he said. "Left. Left again."
"Where are we going?"
"Not straight home," he said. "In case he's watching."
Heather pulled over to the curb and parked. There were stars
but no moon.
"What are you doing?"
"Can we get out and walk a while?" she said. "I thought you
liked to walk."
He wouldn't put his arm around her or hold her hand, but
that was all right. They walked and the lights by the houses came
on for her, one by one.