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Deliverance
Then I realized I had read too many poems about pulling the dead from the living: ragged cry of cow or horse or pig straining against the inanimate flesh in its gut, the human urgency, greasy hands reaching deep into unimaginable places, groping around, arms stiff against the creature's useless labor, trying to hold on, trying to bring out the fetal pieces already half-rotten in the placenta's wash. Sometimes the animal dies, sometimes not, and everyone human goes home thinking about the change in life, what great mystery approached in the palm's proximity to alien heartbeat, what small nation, vigorously defended. But it's only the dumb rhythm of begetting: with or without us that poor carcass would have found the air. The same tall grasses would grow in the rainy season. Late at night we would still wake to find ourselves shivering for no reason, no reason at all, fresh from that hard dream of safety.
Short History of a Large Space
Their first mistake: presumption of a pattern forgivable perhaps on twinned branches of the Hoosic. At least they never separated life from art, in spring flood of cloth staining the current red and orange and blue, coating the dull stones. Electricity was the second elevation, a cleaner one though no less transitory. Wealthy men built large homes in neighboring towns, marble inlay, substitutions for the vertical. Meanwhile it could get the railroad for these workers. Meanwhile it could be very fresh and clean, production of light for instance, near relative to charge yet more abundant in this dispensation. What we need is demolition of the horizontal, approximating gauge while preserving compound surfaces: a new raiment. Linking a clock to its true hour which if inverted yet reaches toward the sun.
G.C. Waldrep's work appears in recent or forthcoming issues of Poetry, Ascent, Gettysburg Review, Many Mountains Moving, and other journals.
In Posse:
Potentially, might be ...
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