After Stomp for Ruth and Steve Shewan shuffle hands and feet across sand and slide slide on tops of cans, slap toes and bellies, plunge water off streets and lift up rivers of light streaming down to brooms: push push push and slam then slam the bristles’ backbones while their handles wear gowns of windmill light and flashing light twists and turns and spots three women pulling sounds that save the spirit from a bag of garbage: push push the brooms across debris, across unthought and watch as waterfall sinks explode and grow into giants barreling over ground and reaching up to hubcap drummers and stopsign clowns reaching down from cables banging plastic tubes in tune or tuning tubes on the head for a blessing as the pencil-mouth strummer pipes no hollow sound and shimmering papers flutter and exalt meekness in strong sounds in the valley of iron and steel, where flesh and sweat are often robed in light, the light of lighters flicking up our inner stars whose heat we now can hold or give away in hope in the blood-swept arteries of acts that shine at fingertips of touch: touch now touch we too these stars as they clap clap laughter pouring from their tap taptap and tap on the hard wood or heart or air alive with motes that clang when clanged in minds made whole by splashing seas in empty cans or buckets dripping dripping on streets outside with spires or towers tunnels and sewers flowing down and down as we shuffle hands and feet in our goings over asphalt or concrete: push push your own broom across detritus of thought or hate: this world is just a small temple in which we dance or die. Dance. Stomp. John Kryder Poems |