The word is made flesh, one might think
with semantics, for this appears to be
the most scientific way to explain how
the words come into being, but there is
a certain kind of poet who lives with
the pounding of the words, the pounding
of a soul who throbs from the place,
perhaps
the heart of the soul, the pounding, the one
who watches the words come forth, between
the foliations of the mind, slipping in, to come
pounding, and it is there, right there,
that they
become one with the cells of the mind, long
before they become one with the paper,
long
before they can be viewed by the human eye,
this pounding, so it is clear they will
mesh with
all that is the poet's skin, these words made flesh.
(Artist's note: Jack Spicer (1925-1965),
was an American poet who published several collections
during his brief life. Trained as a linguist, Spicer
was active in the San Francisco poetry scene during
the 50s and 60s. Perhaps today he is most renowned
for his theories describing poetry as dictation from
a source outside the poet; theories he delivered in
a short series of lectures in Vancouver where he portrayed
poets as radio receivers. He died at San Francisco
General Hospital from alcohol poisoning; his last
words were, "My vocabulary did this to me." The translation
of the title is 'The word is made flesh.')
If Only You Would
I have kept myself alive for you, all
these
years, somewhat faithfully, for I have never
once seriously considered suicide, and
most
chances I took -- those times I put myself
into danger -- I did so in my youth,
before
I understood the obligation I had to you, so
even if you cannot forgive such recklessness,
at least join me in admiring the results: this
body admired by no one yet transports
the mind
who praises you, the same mind who devises plots
or tricks or poems to cajole a deeper
purpose from
you, the real honey to the nostrils, if only you would.
(Artist's note: Diogenes writing
about Democritus: "He was exceedingly old, and appeared
to be at the point of death. His sister lamented that
he would die during the festival of the Thesmophoria,
which would prevent her from discharging her duties
to the goddess. So he bade her be of good cheer, and
to bring him hot loaves (or a little honey) every
day. And by applying these to his nostrils he kept
himself alive over the festival. But when the three
days of the feast were passed, he expired without
any pain, as Hipparchus assures us, having lived one
hundred and nine years.")
About
the Author
Ward Kelley has
seen more than 1100 of his poems appear in journals
world wide. A Pushcart Prize nominee, Kelley's publication
credits include such journals as: ACM Another Chicago
Magazine, Rattle, Zuzu's Petals, Ginger Hill, Sunstone,
Spillway, Pif, 2River View, Melic Review, Thunder
Sandwich, The Animist, Offcourse, Potpourri and Skylark.
Recently he was the recipient of the Nassau Review
Poetry Award for 2001. Kelley is the author of two
paperbacks: "histories
of souls," a poetry collection, and
"Divine
Murder," a novel; he also has an epic
poem, "comedy
incarnate" on CD and CD ROM.