|
|
Index of Authors Key to the Index:
- Stories and poems are in black.
- Nonfiction is in green.
- Interviews are in blue (separate section for interviews at the end).
- Chapbooks are in bold.
- Art is in purple.
- Reviews are in cyan (separate section for reviews at the end).
All entries are alphabetized by last name, in the form of:
Lastname, Firstname, "Title," Volume.Issue, page number(s).
To do a search, use the SEARCH or FIND function on your browser. |
|
A
Abbott, Lee, K., "The Death of Ambrose Bierce," 4.1, 66-79; "Augustine Crespi," 5.2, 66-79.
Abildskov, Marilyn, "One Blue Note," 24.1, 93-95.
Absher, Tom, "The Swimmer," 7.1, 30; "Vanishing Point," 7.1, 31; "Compline," 7.1, 32; "Day Poem," 14.1, 17; "The End Of It All," 14.2, 48; "Learning To Sail," 14.2, 89.
Ackerman, Diane, "Cave Diving in the Tropics," 7.1, 50-53; "Backyard," 7.1, 54-55.
Adamo, Ralph, "Eden's Dream of Valerian", 3.2, 19; "Love Is Ended and the Grave Also", 3.2, 20; "Photographer", 3.2, 21; "Naples," 4.1, 41.
Adams, Jane Meredith, "Kathleen," 20.1, 106-115.
Adams, Mary, "The Sphere of Influence," 18.1, 170.
Aguilar-Carino, M.L., "A Sense of Balance," 13.2, 40-41; "From An Album," 13.2, 42-43; "Monsoon," 13.2, 44; "Omaira," 13.2, 45-46; "After Movies," 13.2, 47; "Improvisation," 13.2, 48; "notes," 17.1, 84-85; "At Hann's Cliff," 17.1, 86-87; "From The Diary of D. Burnham," 17.1, 88-89; "Arcanum," 17.1, 90; "The Secret Language," 17.1, 91-92; "Death Anniversary," 17.1, 93; "Dissections," 17.1, 94-95; "Curse," 17.1, 96; "Encounter," 17.1, 97; "Legend," 17.1, 98-99.
Albert, Alan, "Two Phases", 3.2, 23.
Aleshire, Joan, "The Man from the Restaurant," 10.1, 65.
Alexander, Paul, "For Robert Penn Warren: 1922," 4.2, 48-49.
Alexander, Seth, "Portrait of a Boy," 14.1, cover.
Allen, Edward, "Gloomy Sunday With Orange Quangaroos," 16.2, 106-107.
Allen, Glen Scott, "The Atomic Kid," 17.1, 42-52; "The Serpent Revealed," 19.1, 34-55.
Allison, John, "Breathing," 1.1, 11; "What Keeps Us Alive," 1.1, 11.
Allspaw, Susan, "Going to Pole," 27.2, 153.
Amend, Allison, “The World Tastes Good,” 30.1, 22-38.
Anastasopoulos, Dimitri, "The Pupils of Goste D.," 26.2, 47-60.
Anderson, Barbara, "Because All Boundaries Are Subject to Slow Change," 8.1, 45.
Andrews, Nin, "Sundays," 29.1, 35.
Ansay, A. Manette, "Spot Weakness," 21.1, 22-27.
Anstett, Aaron, "The Ticket Taker Speaks," 20.2, 120.; “Answer,” 30.2, 122.
Antrim, Taylor, "Pre-Fab Magic Castle," 28.1.
Ardizzone, Tony, "But You Can Call Me Thaddeus," 4.1, 92-114; "My Mother's Stories," 8.2, 36-45; "Expatriates," 16.1, 65-79.
Arenas, Reinaldo, "With My Eyes Shut," 13.2, 113-116; "The Wounded," 13.2, 117-155.
Arvin, Nicholas, "Commemorating," 26.1, 21-33.
Ashbery, John, "The Art of Speeding," 19.1, 27-28.
Ashley, Renee, "I Am Still Here," 28.2.
Astor, Susan, "Dame," 5.1, 69.
Athas, Daphne, "Syntax in the Age of Vibration," 11.1, 78-96.
Atkinson, Jennifer, "Beside the Connecticut River," 17.2, 23.
Austin, David Craig, "Autobiography," 13.2, 25; "Animals," 13.2, 26; "Solace," 13.2, 27. Averill, Thomas Fox, "Spicy Food," 16.1, 25-30. |
B
Baggot, Julianna, "The Bachelor's Ball Club," 21.2, 146-162.
Bailey, Tom, "Knowing," 18.2, 20-22; "Uhuru," 18.2, 23-25. Baker, Alison, "The Kidnappee," 18.1, 78-87; "Everything Is Nothing but a Learning Experience," 21.1, 75-85. Baker, David, "Echo for an Anniversary," 19.1, 67-82. Baker, Will, "Etiquette," 12.1, 12-39.
Ball, Angela, "The Courtyard," 9.1, 36-37. Barba, Rick, "Revenge," 19.1, 122-135.
Bardon, James, "The Humanist," 1.1, 32.
Barot, Rick, "Reading Plato," 26.1, 2-3; "Eight Elegies," 27.2, 44-48; "Ocean Park Notebook," 27.2, 49-50.
Barr, Jeffery, "Our Science," 29.1, 34.
Barry, Ben, "Second Choice," 5.1, 54-68.
Baruth, Philip, "Peaheart," 20.1, 65-82; "Anthony Buys Pornography," 22.2, 117-136.
Barza, Steven, "Claire's Dilemma," 102-117.
Bass, Rick, "Shyness," 15.2, 155-159; "The Distance," 28.1.
Bauer, Tricia, "Pot o' Gold," 15.2, 65-79. Baxter, Charles, "Winter Journey," 11.1, 7-17.
Beall, Sandra, "The Room," 1.2, 50; "Last Respects," 1.2, 50.
Beeder, Amy, "Photograph in a Montana Bar," 28.1.
Bernes, Jasper, "Even," 28.2.
Behlen, Shawn, "What I Want," 20.2, 121-138.
Beining, Guy R., 26.1, 47-56.
Bell, Marvin, "Sounds of the Resurrected Dead Man's Footsteps," 26.2, 144-145; "About the Dead Man and Hot Topics (#41)," 26.2, 146-147; "About the Dead Man and One or More Conundrums (#50)," 26.2, 148; "About the Dead Man and the Picket Fence (#70)," 26.2, 149-150.
Benedikt, Michael, "An Uncooperative Body," 1.2, 30.
Bensko, John, "Garcia Lorca and the One-Legged Schoolteacher," 7.1, 12-14; "Watching TV, the Elk Bones Up on Metaphysics," 10.1, 48-49; "On Halloween the Elk Turns Detective," 10.1, 50; "The Progress of Love," 14.2, 49-63.
Ben-Tov, S., "During Ceasefire, in Jerusalem," 8.2, 72-73.
Berg, Stephen, "Beds," 23.1, 75; "Hands Refracted in a Glass of Beer," 23.1, 76-77.
Berke, Judith, "Dionysus," 14.2, 25; "Quasimodo," 14.2, 26; "Persephone," 14.2, 27.
Bernheim, Erica, “Virgil Moon,” 30.2, 44-46.
Bernstein, Laura, "To Those Who Fear Explosions," 19.2, 127-128.
Berry, D.C., "Emily's Toss," 1.1, 52; "Casino," 24.1, 108-109; "Families," 24.1, 110-111; "Limousine," 24.1, 112; “Zen Cancer Saloon,” 30.2, 99-.119.
Betts, Doris, "The Fingerprint of Style," 10.1, 171-184.
Bibbins, Mark, “A Perfect Day,” 30.2, 22; “Microburst,” 30.2, 23; “Analogue,” 30.2, 24-25.
Bierds, Linda, "Touching The Elephant," 6.1, 19; "Dogsled Through the Trees," 6.1, 20; "Shipwreck in the North Sea," 6.1, 21; "Zuni Potter: Drawing the Heartline," 9.1, 64; "Fur Traders Descending the Missouri: 1845," 9.1, 65; "The Lacemaker's Condenser," 26.2, 71-91.
Bilski, Victoria, "The Donor," 19.1, 11-26.
Bishop, Rand, "Native Color," 15.1,110-117. Bissoon, Camillius, "The Christmas I Got Drunk," 14.2, 23-24.
Bitar, Walid, "A Northern Reply To Vallejo's Twilight," 18.1, 95.
Black, William, "Necessary Excesses: On Writers in Search of Literature's Relevance," 23.1, 141-155.
Blair, John, "Pig Days," 11.2, 66-67.
Blauner, Laurie, "A Housewife's Old-Fashioned Fire," 12.1, 62; "When Marriage Isn't All It Could Be," 13.1, 68.
Blew, Mary Clearman, "The Last of the Half-Breed Hotspurs," 5.1, 82-88.
Bligh, Thomas, "What I'm Pointing At: Memoir and the Authority of Experience, An Interview with Connie Sumterville," 29.2, 92-99. Blum, Jonathan, "May Be Habit Forming," 26.1, 132-135.
Blythe, Randy, "The Contortionist," 22.1, 85-86.
Bobo, Stephanie, "Janeva," 6.1, 41-49.
Bohstedt, Jake, "The Crimes of Victor Gethmann," 25.1, 55-57.
Bolick, Nannette, untitled, 28.2.
Bolton, Joe, "Towards Twenty-Four," 13.1, 69-70; "The Seasons: A Quartet," 14.2, 28-30; "Fathers and Sons," 14.2, 31-32.
Bond, Bruce, "Flies," 27.1, 16-17; "Rope," 27.1, 18.
Booker, Stephen Todd, "Faith," 20.2, 23.
Borders, Lisa, "Sarah in the Tornado," 18.1, 101-105.
Borofka, David, "The Children's Crusade," 21.1, 1-18; "An Introduction to Old Friends," 22.1, 105-119.
Boston, B.H., "Postcard," 8.2, 67.
Bottoms, David, "In a Pasture Under a Cradled Moon," 8.1, 22-23.
Bourke, Rita Welty, "The Sculpted Woman," 28.2.
Boyden, Joseph, "Born With a Tooth," 26.1, 109-117.
Bradford, Gigi, "Black-Eyed Susans," 6.2, 41-42; "Describe Flounder To Your Daughter," 6.2, 43.
Brasfield, James, "The Entrepreneur," 16.2, 56-57.
Bravo, Brandel France de, "Calla Lily," 21.2, 45-46.
Brennan, Karen, "Irresistibly, The Heart Opens," 14.2, 33-34.
Brixius, Lee, "The Latest From a Little World Gently Abuzz With Itself," 16.2, 26.
Brooks, Erin, "Hay Tag," 23.1, 26; "Burning the Laundry," 23.1, 27.
Broughton, T. Alan, "The Solution," 1.2, 37-44; "Somewhere in America," 19.1, 106.
Brown, Betsy, "Formica Road," 26.1, 34-35.
Brown, Susan, "Dreamcatcher," 25.2, 24-25.
Bryner, Jeanne, "Under a Funeral Canopy in Rockingham, N.C.," 19.1, 160-161.
Buchanan, Oni, "The Rescue Lullaby," 28.2..
Buchbinder, Jane, "harry finckelschmidt returns the perfect love of the world's beginning," 25.2, 93-98.
Buckley, Christopher, "Untitled," 1.2, 10-13; "Insomnia," 9.1, 38-39; "Prayer," 9.1, 40; "The Last Train East," 16.1, 107-109; "Days of Black and White," 19.1, 119-121; "Late Schoolyard," 20.2, 99-101; "4 Benches, 14 Orange Trees," 22.2, 41-45.
Budnitz, “Visitors,” 30.1, 4-13.
Burger, Eric “Too Warm for Pants,” 30.1, 44-45.
Burkard, Michael, "Klee", 3.1, 19; "One on Another. Horizon, 1950.", 3.1, 20; "Red Ryder", 3.1, 21; "Strangely Insane," 10.1, 66-67; "I Entered a House," 10.1, 68.
Burriesci, Matt, “Knowing William DeSoto: An Interlude for You!” 30.1, 62-65.
Burroway, Janet, "Report on Professional Activities," 24.1, 6-17.
Burrows, E.G., "In Marysville Meadow," 14.2, 16-17.
Bursky, Rick, "Dedication," 25.2, 107.
Burt, Dierdre, "The Last Stand," 4.2, 30-33.
Bush, Mary, "Muskrat," 7.2, 63-71.
Butler, Jack, "Hawk Gumbo," 4.1, 1-10; "Without Any Ears," 5.1, 23-27; "A Country Girl," 7.1, 17-29.
Byrkit, Becky, "Narrative Suite," 22.1, 136-140.
Byrne, Edward, "Words Spoken, Words Unspoken," 13.2, 32-33; "In Your Memory, We Move," 13.2, 34. |
C
Cabiles, Nelinia, "The Way Night Falls," 27.2, 92-113.
Cader, Teresa, "A Legend of Paper Money," 22.1, 1-2.
Cahill, Murray, "Cover Title," 5.1, 19-22.
Callimachi, M. Rukmini, "Lucia," 25.2, 99-101.
Callin, Richard, "Naming," 21.1, 146-148.
Camoin, François, "Cheerful Wisdom," 9.2, 43-48; "American Literature," 12.2, 31-35.
Campbell, Mary B., "Are Sin Disease and Death Real?" 19.2, 85-104.
Cannady, Criss, "Sunlight in a Cafeteria," 6.1, 33.
Carlsen, Susan, "Womb Envy," 17.1, 154.
Carpenter, Chris, "Eat All You Take," 28.1.
Carpenter, William, "The Early Snow," 7.1, 69-70; "Friends of Dechirico," 7.1, 71; "Snake Music," 7.1, 72-73 (AWP Poetry Series Finalist); "New York City," 8.2, 21-23; "Love," 10.1, 13-14.
Carson, Anne, "Heloise and Abelard: A Screenplay in 11 Scenes," 28.1 .
Casey, Kevin E., "Who Do We Have Here?" 19.1, 172.
Castillo, Ofelia, "Chronicles," 13.2, 166-167.
Catherwood, Michael, "In the Big City," 19.1, 170-171.
Cervantes, James, "The Old Man Dreams," 7.1, 34; "The Proxy," 7.1, 35.
Cessac, Christopher, "Rio Grande at Noon, Rio Grande at Midnight," 28.1 .
Chaney, Joseph, "Orange," 18.1, 96.
Chappell, Fred, "The Admirer," 6.2, 27-32.
Chasar, Mike, "Deep Lock Bypass," 28.1. Cherner, Anne, "King on Horseback & Suite, Fleeing from the Attack of a Unicorn", 3.2, 47-48; "Invitation," 5.1, 8-9; "Farmhouse, Maryland," 5.1, 10-11; "Turning Back," 5.1, 12-13; "Street Nocturne," 5.1, 14-15; "Backyard in Ohio," 5.1, 16; "Getting Away," 5.1, 17-18. Chertkow, Fern, "The Conversion of Eddie Mexico," 13.2, 79-86. Cheuse, Alan, "The Quest for Ambrose Bierce," 6.2, 47-61; "Garden of the Gods," 9.2, 67-79.
Cisewski, Paula, “Mercury Waits Tables at the Macrocosm Cafe,” 30.2, 32-33.
Clark, George, "St. Besse's Gift," 23.1, 79-91.
Clark, Jeff, "Blow-Notes," 22.1, 101-104.
Clark, Kevin, "The End," 22.1, 141-142.
Clark, Patricia, "Trees at Dusk," 10.1, 121; "American Lake," 10.1, 122.
Clary, Killarney, "[I tested my cream kid slippers]" 27.1, 76.
Clark, Mary, "Love Caught," 16.2, 110.
Clay, Adam, “[Caught No Fish Last night or night before Last,]”, 30.2, 66.
Clemente, Vince, "Basho Awake at Night," 13.1, 71.
Clover, Joshua, "Wreckage," 19.1, 29-30; "Ferris Wheel," 26.2, 2; "French Narratives," 26.2, 3.
Clute, Mitchell, "The Good Host's Song," 19.1, 107; "Waiting for a Good Rain," 24.1, 107.
Cochran, Robert, "Grace Abounding to the Chief of Sinners," 5.2, 48-56.
Colburn, John, "like night through England," 24.2, 58-59.
Collins, Billy, "Pensée," 14.1, 37; "Night Sand," 14.1, 65; "Come Running," 14.1, 91; "Vade Mecum," 15.1, 108; "Aphorism," 15.1, 109; "I Chop Some Parsley While Listening to Art Blakey's Version of 'Three Blind Mice,'" 23.2, 34-35; "Monocular," 25.2, 54; "Neurology," 25.2, 55.
Collins, Loretta, "Justine Has a Few Words for the Marquis de Sade," 19.2, 51-53.
Colt, George, "In a Tunnel", 3.2, 50-51; "Piano Practice in the Mansion", 3.2, 52-53.
Comer, Carrie, "Local Art," 27.1, 1-2.
Condon, Phil, "The Emptyheart Boy," 16.2, 61-72.
Connor, Joan, “Bone Key,” 30.1, 47-58.
Cooley, Nicole, "Tina Modotti's Roses," 24.1, 1-4; "Archival: The Devil's Book," 26.2, 160; "Archival: Silence," 26.2, 161.
Cooley, Peter, "Birthmark", 2.1, 20; "Grandmother Poem", 2.1, 21; "Contacts", 2.1, 21; "Tell Me", 2.1, 22; "Hansel's Dream," 6.1, 35; "Diary," 6.1, 36-38; "Fourteen Lines," 12.1, 40.
Cooper, Judith, "The Desired," 6.1, 57-62.
Cooper, Wyn, "Marriage," 10.1, 95.
Cooperman, Matthew, "Waking or Sleeping," 24.2, 41.
Cordrey, Nicole, "The Band We're In," 25.2, 102-106.
Corral, Eduardo C., "Poem after Frida Kahlo's Painting The Broken Column," 29.1, 150-152.
Cory, Cynie, "Neon Heart," 27.1, 19.
Costello, Mark, "The Anta Santa," 9.1, 18-31; "Lies," 19.2, 10-19.
Couto, Nancy Vieira, "Chemical Sins," 23.1, 1-2; "After the Engaging Diversions," 23.1, 2-3.
Crane, John Kenny, "The Lone Ranger of Long Nook," 15.1, 73-91.
Crawford, Tom, "Family Business," 15.1, 33-43.
Cross, Elsa, "Bacantes: V," 13.2, 162-163.
Crowther, Hal, "Surviving Cynicism," 11.2, 34-36.
Cruz, Anibal, "The Child of the Brothel," 13.2, 179-180; "Blood Protest," 13.2, 181-182.
Cumpiano, Ina, "Jacaranda," 16.1, 85.
Cunningham, Chris, “ ’89 Class Notes,” 30.1, 162.
Curry, David, "Day," 1.2, 48; "Tree, Sidewalk, Weather," 1.2, 49; "Alley," 1.2, 49; "Concert", 1.2, 49.
Cutler, Bruce, "A Way of Seeing," 10.1, 136-138; "Going Blind," 10.1, 139. |
D
Dagerman, Stig, "The Games of Night" [translated by Steven Hartman], 20.2, 107-117. Dalton, Roque, "Oppression & Milk," 13.2, 210-211; "Dream No. 11.880," 13.2, 212; "The House of Carlos," 13.2, 213-215.
Dana, Robert, "Learning to Breathe," 5.1, 28-31.
Darling, Charles W., "Stick-Figures," 20.1, 63-64.
Darlington, Tenaya, "Field Guide to Western Intimacy," 29.2, 37.
David, Don, "The Source," 18.2, 102; "The Occultation," 18.2, 102.
Davis, Carol Ann, "As elsewhere," 25.2, 56.
Davis, Christopher, "Voice Against Christ From Inside a Clock Mask," 17.1, 34; "Two Dead Marriages," 17.1, 35; "Endlessly Rocking," 17.1, 36-37; "Good Friday," 17.1, 38; "The Patriot," 17.2, 59-80. "Nod," 25.1, 36-37; "What We Left in San Francisco".
Davis, Eric, "A Thousand Ages in Thy Sight Are Like an Evening Gone," 6.1, 73-77.
Davis, Glover, "Red Feather," 7.2, 46-47.
Davis, Jackson, "James," 10.1, 141.
Dawson, Jessie Lee, "Excerpts from Yeller Gal: Memoir of a Sharecropper's Daughter," 19.1, 182-194. Dawson, Mark, "Pressed in Spirit: Recent Poetry by Peter Cooley and Peter Wild," 19.2, 133-150.
Day, Robert, "Beaver Dinners at the Eighth Street Tavern," 4.1, 47-57.
Deagon, Ann, "Games for the Root-House Children," 4.2, 26-27; "Basic Rescue," 28-29; "A Natural History," 5.1, 35-45.
Deal, Susan Strayer, "October," 8.2, 68; "Why Is Love Hungry," 8.2, 69.
DeAndrade, Eugenio, "On Japanese Poetry," 15.2, 104-105; "Porto," 15.2, 106-107.
DeFoe, Mark, "Please Select Your Alternative Childhood," 24.2, 78-79.
de la Torre, Josefina, "The Sky's Green Willow," 13.2, 186-209
Delattre, Pierre, "Closing night at the Follies," 10.1, 123-133. Delserone, Alicia, "Imagining the City," 18.1, 7-16.
Deming, Alison, "The Stone Breakers," 11.1, 47-48.
Dennigan, Darcie, “Florid Gestures at Flo’s Grille,” 30.1, 140-141.
deNord, Chard, "Watching on the Railroad," 10.2, 46.
Diamond-Nigh, John, "Tigress," 29.2, 102.
Dice, Ric, from No Sad Stories, 8.2, 46-62.
Dickman, Susan, "Touch Wood," 20.2, 7.
Dillard, Annie, "Wish I Had Pie," 8.2, 75-84.
Dillard, R. H. W., "How Copernicus Stopped the Sun," 5.2, 7-8; "How Einstein Started It Up Again," 5.2, 9-10; Through the Window (His Angle)," 5.2, 11-12; "The Seminar," 5.2, 13-14; "Sailing on Solar Wing," 8.1, 58-68.
Dilworth, Sharon, "Agnes, 1950," 24.2, 44-56.
Dinh, Viet, "Acres," 29.1, 140-148.
Ditsky, John, "You Have Relatives in Germany?", 1.1, 54-55; "Not to Mention Madness", 1.1, 55.
Dobler, Patricia, "The Mill in Winter," 12.1, 61.
Dobson, Rachel, "Five Illustrations," 14.1; "Illustrations," 14.2; "Mandorla Series," 27.1, 39-47.
Dobyns, Stephen, "The Room," 8.2, 26; "Gottéron Landscape," 8.2, 27; "Dancing in Vacationland," 10.1, 90-91; "Education," 21.2, 103-104; "Heaven," 21.2, 105-106.
Dodd, Wayne, "December 31", 2.1, 12; "Bread", 2.1, 12-13.
Doerr, Anthony, "July Fourth," 26.2, 14-25.
Domench, Daniel C., "Frontier Trailer Court", 3.2, 65-69. Domina, Lynn, rev. of Woman Who Has Sprouted Wings: Poems by Latin American Women ed. by Mary Crow, 13.2, 235-239. Domini, John, "The Arno Line," 13.2, 49-64.
Donovan, Brad, "Canticle," 1.2, 48.
Doreski, William, "Sunburn," 5.1, 46; "Speed," 5.1, 47; "Boothbay Harbor Sunday," 5.1, 48; "Photographs on a Blue Wall," 5.1, 49; "Memento Mori," 5.1, 50; "Dog on the Beach," 5.1, 51; "Night Fishing in the Sudbury River," 5.1, 52.
Dove, Rita, "Lost Brilliance," 20.1, 45-56.
Doty, Mark, "Lost in the Stars," 27.2, 122-127.
Doty, M. R., "Rapunzel," 4.1, 42-43; "Hunting the Bright Tree," 4.2, 54-55; "March," 7.2, 56-57.
Drew, Eileen, "The Baobab," 14.1, 21-42.
Driscoll, Jack, "Sleeping on a Raft," 6.1, 65.
Drummond, Laurie Lynn, "St. Augustine's Grass," 17.1, 160-169.
D'Souza, Tony, "Wirtschaftswunder," 25.1, 126-145.
Dubie, Norman, "Pastoral," 1.1, 3; "El Greco," 1.1, 4; "The Orphans," 1.1, 5; "For David St. John Who's Written a Poem," 1.1, 6-7; "Elegies for the Ochre Deer on the Walls at Lascaux", 2.2, 1-11; "L'Envoi: 1858", 2.2, 12-13.
Dubus, Andre, "A Father's Story," 9.2, 7-24; "A Conversation," 9.2, 86-103; "A Laurel for Richard Hugo," 9.2, 104-105; "Lights Of The Long Night," 14.1, 13-16; "A Salute to Mister Yeats," 15.2, 160-161.
Duffin, K.E., "Lion," 27.1, 68; "Still Life with Old Books," 27.1, 69.
Duhamel, Denise, "Skeleton Song," 29.1, 37-49.
Dunn, Stephen, "The Winter We Had to Get Away," 8.1, 50-51.
Dusseau, Melanie, "Bestiary for the Breasts of a Starlet," 29.2, 7. |
E
Eagle, Rebecca, "Have You Seen Me?" 23.1, 96-109. Eakins, Patricia, "Show Business," 5.2, 21-33; from A Bestiary: "A Note to the Reader," 13.2, 35-36; "Forrago," 13.2, 37-38; "Afterword: Alphabet Soup," 13.2, 39.
Edel, Leon, "Myth and Media: The Fractured Imagination," 11.2, 25-33.
Eimers, Nancy, "A Verb in This Mood," 26.1, 57-82.
Eli, Quinn, "The Search for Wisdom," 19.1, 140-154.
Elledge, Jim, "The Man I Love Has a Bad Hair Day," 21.1, 90-91; "The Man I Love and I Shop at Jewel," 21.1, 92-93.
Elliot, Julia, "Strange Flickerings," 24.2, 80-93.
Engels, John, "The Cold in Middle Latitudes," 6.1, 88-91; "Apple Trees," 6.1, 92; "Port Cities," 6.1, 93-97; "Joyce Volger in 1948," 6.1, 98; "Poem on my Birthday," 6.1, 99-105; "Spring Frogs," 6.1, 106; "The Dreaming," 6.1, 107-110; "For Dara, Allen and Barbara in Atlanta," 6.1, 111; "A Discovery of Lovers in the Fall," 10.1, 120.
Epstein, Daniel Mark, "Schoolhouses," 9.1, 7-9.
Ermelino, Louisa, "Sudder Street," 19.1, 108-118.
Espada, Martín, "Pitching the Potatoes," 166-167; "For the Jim Crow Mexican Restaurant in Northampton, Massachusetts Where My Cousin Esteban Was Forbidden to Wait Tables Because He Wears Dreadlocks," 24.2, 168-169; "What My Father Learned at Age Five, Standing on the Dock," 24.2, 170-
Esposito, Nancy, "Breakfast Piece," 9.2, 82-83.
Essbaum, Jill Alexander, "David the City," 26.2, 13.
Evans, Elizabeth, "Relics," 10.1, 72-79.
Everding, Kelly, "Pastoral," 17.2, 106. |
F
Fairchild, B.H., "The City of God," 14.1, 45-46.
Falco, Edward, "There at the Circle," 16.2, 29; "At Fifty," 24.2, 158.
Farnsworth, Robert, "Realistic Satisfactions, Or, Upon Westminister Bridge," 18.2, 105-106.
Farrin, L.A., "Letter to Gaugin," 2.1, 18; "Pont-Aven, 1893-95", 2.1, 18-19.
Featherstone, Steve, "November 7, 1992," 21.1, 149-161.
Feldman, Laura, "Sierra Marsh Marigold," 18.2, 72; "Walking the Embarcadero Freeway," 18.2, 73.
Fellowes, Peter, "The Fisherman," 7.1, 74-75; "Burial of a Groundhog," 7.1, 76 (AWP Poetry Series Finalist).
Fennelly, Beth Ann, "Finding My Way Home," 26.1, 83-91.
Ficociello, John, "The Madrigal Is Seldom So Equivocal", 2.2, 67; "Nietzsche", 2.2, 68; "Second Sense. 1921. Halpert's Dreams...", 2.2, 69; "Letters Written On and As the Vine Emerges", 2.2, 70-72.
Field, Billy, "The Writer Who Came to Chaplin's Place," 15.2, 162-163. Finke, Gary, "The Mussolini Diaries," 22.1, 163-171, "The Stone Child," 29.1, 19-33.
Finnell, Dennis, "Oscar's Pet Pig," 8.1, 74-75; "Oscar's Song," 8.1, 76-77; "Oscar's Whistle," 8.1, 78-79.
Fishman, Mark, "Night Before Last," 13.2, 73-78.
Fitch, Janet, "White Oleander," 20.1, 26-42.
Flaherty, Ryan, "On Miller's Theory," 29.1, 138.
Fletcher, Luellen, "Memorandum," 13.1, 99; "Story," 13.1, 100-101.
Flick, Sherrie, "What Was Said," 28.1.
Flook, Maria, "Getting You Born," 4.1, 37.
Florence, Michael, "Mykonos", 2.1, 41.
Flynn, Jenny, "Talk of Indians," 28.2.
Follain, Jean, "Three Prose Poems," trans. Mary Feeney and William Matthews, 1.2, 56
Foster, Brett, "The Foreman at Rest," 25.1, 38-39.
Fountain, Carrie, “October,” 30.2, 47.
Fox, Andrew, "The Story of Alpha," 19.2, 54-66.
Fox, Siv Cedering, "Letter from Galileo Galilei," 2.1, 33-34; "Addressing Zakarias," 2.1, 34-35.
Francis, H.E., "Distances," 1.1, 14-26.
Franco, Gina, "Fishing," 26.1, 130-131; “The Earth Without,” 30.1, 142-145. Franklin, Tom, "Pieces of Sky," 27.1, 34-38.
Frantom, Marcy, "Ruby and the Bridal Wreath," 13.1, 64-65.
Frederickson, Yahya, "Matmata," 22.2, 33.
Freisinger, Randall R., "Word Games," 28.2.
Friedhoff, Tony, “Spontaneously Generated Farmer,” 30.1, 79-80.
Furth, Megan Louise, "Sonata for Silent Piano," 26.1, 120-127. |
G
Gabis, Rita, "Deerfield River in Summer," 14.1, 16.
Gallaher, John, “Cursing the Darkness & What’s It to You,” 30.2, 35.
Gallagher, John, "Cattle Shooting," 17.1, 148; "I Thought I Was a Mailbox," 17.1, 149.
Gallagher, Tess, "Boat Ride," 10.2, 40-45; "Motoring Toward Seattle, The Kiss Considers Capital Punishment," 21.1, 86-87.
Galvin, Brendan, "October Swallows," 20.1, 60-61; "The Soul Is Not Colorless," 20.1, 62; "Talking to Anne From Her Dream," 20.2, 102-103; "Potato Variations," 20.2, 104-106; "Single Malt," 21.2, 66-67.
Gambito, Sarah, "[Some say I'm a violent person]" 27.1, 98-99.
Ganassi, Ian, "Dolores," 15.2, 43.
Ganick, Peter, "from Remove a Concept," 18.2, 26-28.
Gavirio, Victor, "Comprehension," 10.2, 36-37.
Garber, Eugene K., "Death," 8.1, 85-92; "The Casita," 9.1, 72-78.
Garrett, George, "from Elizabeth & James," 9.1, 45-57; "A Very Small One," 15.2, 164-165; "Look Who's Laughing Now," 22.1, 3-15.
Geiger, Timothy, "Einstein and the Ants," 23.1, 78.
Germanacos, Anne, “Neighbors,” 30.2, 67-77.
Ghitelman, David, "February," 5.1, 70-71.
Gibson, Stephen M., "Arsenic," 12.2, 68.
Giles, Michael, "Inflatable Owls," 12.1, 53-56. Girard, James P., "Toys," 15.1, 14-27.
Glenum, Lara, "Pornography," 28.2.
Goedicke, Patricia, "The Glacier," 6.2, 15-16; "Heart Attack," 6.2, 17-18; "Short Circuit," 6.2, 19-20; "Some Nights the Mind," 13.2, 93-94.
Goetsch, Douglas, "My Brother's Galaxie," 29.2, 114-115.
Goldbarth, Albert, "The Functions," 2.1, 35-37; "The Linguistics of Prostitution," 2.1, 37-38; "Synecdoche: a Survey", 2.1, 38; "A Spider," 10.1, 31-35; "The Theory of Absolute Forms," 10.1, 36; "The Poem of the Praises," 11.2, 7-10; "Human Time," 12.2, 7-10; "Fossil Music," 12.2, 11; "Zenbu," 12.2, 12-13; "All About," 15.1, 44-48; "What the Poem Is Actually About," 21.1, 129; "A Knife Through the Head (Your Distress and Mine)," 22.2, 22-23; "The Route," 22.2, 24; "Travel Notes," 23.2, 37-51.
Goldberg, Beckian Fritz, "Black Fish Blues," 16.1, 22-23; "The Winged Eye," 16.1, 24; "Lucifer's Crown," 21.2, 107-110.
Goldin, Allyson, "The Hollywood House," 27.2, 15-29.
Goldman, Judy, "Last Night," 16.2, 105.
Gonet, Jill, "The Shells," 15.1, 120; "A Furniture Maker," 16.2, 100; "Ties," 17.2, 107.
Goodman, Michael, "Crossing the East River After 15 Years I Fall into Memory's Web," 13.1, 75.
Gottesman, Carl A., "The Mud Boat," 16.2, 96-99.
Gottshall, Karin, "The Raspberry Room," 29.1, 149.
Gould, Scott, "Sort of a Prophet," 14.2, 35-42.
Gowin, Elijah, from "Hymnal of Dreams," 23.1, 112-116.
Graf, Ted, "Playing Dead," 24.2, 164-165.
Graffeo, Karen, "Details From Three Photographs" 14.1.
Graham, Jorie, "Daily," 7.2, 11-12; "Mother in Daylight," 7.2, 13-14; "Game," 15-16; "from The Region of Unlikeness," 15.1, 49-71.
Granger, James, "Time and the American Lawn," 15.1, 121-124.
Grantland, Brenda, "Medea", 1.1, 30; "Phoebe", 1.1, 31.
Gray, Patrick Worth, "Dahlias," 16.2, 27.
Greenberg, Arielle,"Please Be Good," 29.1, 17; "At the Cinema Lecture," 29.1, 18.
Greene, Jeffrey, "Fishing over Birds," 11.2, 64-65.
Greger, Debora, "The Corner of Delicious and Jonathan Streets," 8.1, 48-49; "Laundry," 8.2, 70-71; "No," 10.1, 80; "Natural History," 10.1, 81.
Gregg, Linda, "Thirteen Shapes of Desire," 17.1, 57-71.
Gregory, Robert, "That Local Knowledge," 16.2, 94.
Grey, Robert, "Saving the Dead," 16.2, 59-60.
Griffith, Vivé, "Forty Years After Le Baiser De l'Hotel De Ville," 24.1, 5.
Griswold, Alicia, "The Right Place at the Right Time: A Look at the Work," 20.2, 139-145.
Griswold, Jay, "Landscape with Train," 11.2, 87; "Working," 13.1, 72-73.
Grosholz, Emily, "Rodin to Rilke," 4.2, 53.
Grotz, Jennifer, "The Train," 23.2, 14.
Guest, Cornelia, "Keke," 1.1, 12-13.
Gwyn, Aaron, "Truck," 29.2, 39-53. |
H
Habercom, David, "The Life Not Given," 6.1, 71.
Hahn, Oscar, "Dream of Hiroshima," 13.2, 130-133.
Halko, Gabrielle, "Asylum," 20.1, 116-117.
Hall, James B., "The Fissure," 10.1, 96-102; "Restoring the Mounds," 11.1, 25-39.
Hall, James Baker, "Gravity," 24.2, 1; "Moonlight," 24.2, 2-3; "The Owl," 24.2, 4-5; "Love," 25.2, 9; "It Felt So Good But Many Times I Cried," 25.2, 10-11; "Fire," 26.2, 162-163; "Rothko," 26.2, 164-165.
Hall, May, "When Praying to a Saint, Include Something Up Her Alley," 29.2, 103-113.
Hall, Rachel, "T'ai Chi," 18.1, 25-31.
Hallgren, Stephanie, "Waking Before My Husband," 8.1, 46-47; "The Orbit of Forgot," 9.2, 80-81; "The Mekong River Poem," 12.2, 25-26.
Halliday, Mark, "Venezuela," 27.1, 27; "Crisp," 27.1, 28-29; "Nights at Ruby's," 27.1, 30-31; "Scale," 27.1, 32-33; "Insecurity / Not Dead Yet," 29.2, 61-90.
Halpern, Daniel, "3 A.M. The Rain," 10.2, 92-93.
Halsall, Jalaine, "Him," 17.1, 40-41; "Don't Stop," 21.2, 47-49; "Liberace's Sister," 21.2, 50-51.
Hamilton, Jeff, "Broken Off Correspondence," 18.1, 56.
Hamilton, Roxanne Power, "Thanksgiving," 17.1, 157.
Hannah, Barry, "Knowing He Was Not My Kind Yet I Followed," 2.1, 23-27; "Unlost, Undead," 24.2, 6-11. Hanson, Nels, "After We Die," 16.1, 7-21.
Hardack, Richard, "'A Music Seeking its Words': Double-Timing and Double-Conscious in Jazz," 19.2, 151-171.
Harmon, Joshua, "The Fisherman and His Wife," 26.2, 4-11.
Harmon, William, "1969-1974", 1.2, 3-4.
Harper, Michael S., "A Po' Man's Heart Disease," 14.1, 49-63; "Welcome Home Michael Harper," 14.2, 106-111.
Harris, Nancy, (C.), "Breaking & Entering," 1.2, 5-6.
Harris, Nancy C., "Liberation by Hearing", 3.2, 55-63.
Hartman, Susan, "Night Stroll," 5.2, 18; "Haitiana," 5.2, 19-20.
Harwitch, Ellen Taylor, "Big Bang," 8.1, 34-44.
Hass, Robert B., "The Park They Say is Dead," 20.1, 118.
Hathaway, Dev, "from Howard in the Roses," 10.2, 28-29; "Lake Larry," 24.2, 61-74.
Hauser, Susan, "Wild Ginger," 5.2, 58-60; "The First Poem," 5.1, 73; "Grant Country," 5.1, 74-75; "The Woman," 5.1, 76-77; "Kathy's Story/Kathy's Song," 5.1, 78-79.
Hawk, Red, "Sometimes Things Don't Add Up," 24.1, 114.
Hayes, Terrance, "Omnipop, 1982,” 30.2, 144.
Healey, Maria, "Amelia Earhart," 20.2, 81-98.
Healey, Stephen, "The Past," 19.1, 87-88.
Heathcock, Alan, "Quixotica," 29.1, 115-137.
Hecht, Jennifer Michael, "Family Life," 29.2, 56-60.
Hejinian, Lyn, "Sleeps," 18.2, 29-42.
Hellenga, Robert, "For Sale," 23.2, 1-13. Hendrie, Don, Jr., "Geography," 7.2, 30-38; "from Beautiful Daughter," 10.1, 37-45.
Hemphill, Caroline, "Do the dead dream of waking?" 19.2, 20; "Reunion," 19.2, 21.
Henry, Brian, "Coign of Vantage," 25.1, 5.
Henry, Gordon, "Pine Point: Her Breath," 11.2, 106-107; "Pine Point: After Rain," 11.2, 108-109.
Henry, Peter, "Still Life with Hotel Jefferson," 24.1, 96; "Death of the Map," 24.1, 97.
Herbeck, Ernst, "The Fire-Eater," 14.2, 65-66.
Herbst, Nikki, "Whirligigs," 20.1, 25.
Hermann, Patrick, "Orchesography", 3.2, 49.
Hershey, Jonathan, "Looking for Brown Dog," 11.2, 91-105.
Hicok, Bob, "Circling the Flowers," 22.2, 107-112; "Letting Go," 22.2, 113-115; "Defenestration," 24.1, 59-85; "Meditation," 29.2, 118-119; "Goodbye in the Shape of a Heart," 29.2, 120-121.
Hildt, Robert, "Hell's Kitchen," 22.1, 93-100. Hiles, Robert, "The Religion of Love," 17.1, 11-20. Hill, Ingrid, "Ursula in Uruguay," 26.1, 4-15.
Hinrichsen, Dennis, "On a Phone Call with Two Televisions," 22.1, 122-124; “Fragment,” 30.1, 146.
Hirsch, Edward, "Cocks," 4.1, 16-24.
Hirschi, Heather L., "From There to Here, From Here to There," 23.2, 53-59.
Hirshfield, Jane, "Toward the Infinite," 10.1, 69.
Hix, H.L., "'A Gracing It Had, Devouring," 18.2, 45; "This Particular Eden," 18.2, 46-47.
Hoagland, Tony, "Breaking Down: Lyric Discontinuity in the Poetry of Jane Miller," 15.2, 144-153; "Fred Had Watched a Lot of Kung Fu Episodes," 22.1, 16-17; "Honda Pavarotti," 22.1, 18-19; "How It Adds Up," 26.1, 106; "Skyscrapers of Feeling," 26.1, 107-108.
Hobson, Christopher Z., "The Burning of McCormick Place 1967," 18.1, 77.
Hoch, James, "Morphine," 29.1, 75; "Sleeping Shark," 29.1, 76.
Hoekstra, Frances, "Folkloric Dancing and Other Desperate Acts," 15.2, 114-128.
Hoeppner, Ed, "Litany for the Turning," 5.2, 45-46; "Runaway," 5.2, 47; "On the Afternoon of the Passover," 4.2, 34-35; "After the Sixth Day," 4.2, 36-37; "Scarecrow's Fortune: For Hamlet, For All the Actors He Has Played," 4.2, 38; "From Garvey's Farm: Seneca, Wisconsin," 39-41; "From A Funeral In The Rainy Season," 4.2, 42; "From The Back Porch," 4.2, 43; "The Cult of the Circular: Jorge Amado's Sea of Death, Homero Adijis's Persephone, 13.2, 216-226.
Hoffmann, Alison, “Sleep Study,” 30.1, 134-136.
Hoffman, Carrie, “The Dentist,” 30.1, 69-70.
Hogan, Linda, "American Laundry," 14.1, 43-47.
Holahan, Susan, "Sister Better Reads the Whole You," 19.2, 22.
Holden, Jonathan, "Shoe Store," 8.1, 72; "Car Showroom," 8.1, 73.
Holladay, Cary, “The Green Children,” 30.2, 2-21.
Holland, Kelvin, "The Dark Seed of Whitman," 18.1, 32-34.
Holland, Noy, "Fairway," 25.2, 27-47. Hollander, David, "The Hitman's Theme," 25.1, 154-169. Holmes, John Clellon, "Night-Blooming Cereus," 4.2, 8-20; "At Pompeii," 7.2, 19-29.
Hongo, Garrett Kaoru, "The Legend," 8.1, 20-21.
Hopkins, Byron, "Correspondents," 1.1, 53.
Horne, Jennifer, "The Dark Vision of Thomas Rabbit," 25.2, 146-161.
Houlihan, Joan, "All the Cold Mechanicals," 28.1; "Matter," 28.1; "Hydrangeas," 28.1; "Winifred is Listening," 28.1.
Howell, Christopher, "Nefertiti," 13.1, 89; "Wisdom's Silver," 13.1, 90; "Philosopher's Rose," 13.1, 91; "Prayer of the Preblind," 13.2, 28; "I'm Telling You," 13.2, 29-31; "Encounters with the Poem Fairy," 15.2, 166-169.
Howell, William, "Handles," 8.1, 93.
Hristov, Boris, "Solitary Man," 18.1, 99. Hudgins, Andrew, "O They Tell Me of an Uncloudy Day," 23.2, 89-97.
Hudson, Mary Ann, "Eldorado, 1980," 28.1.
Hudson, Michael, "Feeling Sorry for Myself While Watching Scuba Divers Explore Sunken Ships on TV," 28.2.
Hume, Christine, "Miraculous Panoptic Precipitations," 26.1, 1.
Hursey, Brett, "The Girl Who Cuts Your Hair," 20.1, 119-120.
Hutto, J.P., "She Thought She Loved the Man," 5.1, 53; "In Some Places You Find Nothing," 5.1, 80-81.
Hymans, Don, "Delicate Seeming," 21.1, 122. |
I
Ignatow, David, "Whether," 10.1, 92; "In the Graveyard," 10.1, 93; "No One," 10.1, 94; "Notes, 1982," 14.2, 98-99; "Notes, 198-," 14.2, 100-101; "Sequence," 14.2, 102; "These Words," 14.2, 103; "Of The Living," 14.2, 104-105; "Resolution," 18.2, 16; "If We Knew," 18.2, 17; "Love Poem," 18.2, 18.
Irwin, Mark, "Roses," 19.1, 137-139.
Irving, John, "The Narrative Voice," 11.2, 12-17.
Isles, John, "Elegy for the Present Moment," 24.1, 31.
Israeli, Henry, "The Bicycle Ride," 24.2, 76; "Sonnet with a Silent Last Line," 24.2, 77.
Inez, Colette, "In the Freak Heat of Spring", 3.1, 15; "Lastdive", 3.1, 16; "Priming the Tunes", 3.1, 17; "Grandma Moses Painted From the Topside Down, First, the Sky, People, Last, 7.2, 39. |
J
Jackson, Jeremy, "Tracking Valencia," 25.1, 24-35.
Jackson, Richard, "However You Say It Is," 9.1, 62-63; "The Other Day," 15.1, 118-119; "Waiting for Kafka," 20.1, 7-8.
Jacobs, Paul DuBois, "Childhood Memoir," 25.1, 21.
Jafek, Bev, "The Statistician," 17.2, 86-95.
Jaffe, Harold, "Innocent Language," 22.1, 26-39.
Jajeh, John, "Aquarium," 19.1, 157-159.
Jarman, Mark, "Los Angeles," 4.1, 62-65; "Unholy Sonnet," 20.2, 73; "Unholy Sonnet," 20.2, 74.
Jauss, David, "The Wandering Between Worlds," 23.1, 117-123.
Jeffers, Honoree Fanonne, "The Book of Alabama: Chapter Coltrane," 28.2.
Jenkins, Louis, "Black Spruce," 10.1, 118-119.
Janosco, Michael Francis, "Jawbreaker," 28.1.
Johnson, David Owen, "Terrapin", 1.1, 10; "A Near Tragedy on an Early Spring Day", 2.1, 13; "Dame Edith", 2.1, 14; "North African Ladies of the Plains," 2.1, 15; "Hester: In Jail," 4.1, 44-45; "Gloves for Old Mistress Hibbins," 4.1, 46.
Johnson, Dennis, "Second Language," 17.2, 24-32.
Johnson, Frank, "Delphinium," 15.1, 107.
Johnson, Linnea, "South of Patsy," 26.1, 136-152.
Johnson, M.K., "Raising the Dead," 27.1, 128-137.
Johnson, Wayne, “Meeting Mr. Donatello,” 30.1, 117-131.
Johnston, Bret Anthony, "Corpus," 29.1, 52-74.
Jones, Catherine, "Light," 28.2.
Jones, Daryl, "Triangulation," 8.1, 101; "The Horse," 10.2, 35.
Jones, Kelly, "Katsuyyama Village and 3 Marines," 27.2, 52-62.
Jones, Rodney, "The Whittler Hums Amazing Grace," 1.2, 6-7; "O Wordsworth," 1.2, 7-8; "Soft Games," 1.2, 8; "Honor", 2.2, 49-50; "Conversation with a Stranger", 2.2, 51-52; "A Cure for Shapes", 2.2, 53-54; "Looking Natural," 5.2, 17; "Sentience," 21.2, 69-94.
Jones, Stephen Graham, "Paleogenesis, Circa 1970," 23.1, 34-35.
Jost, Beth, "What I Look for in a Lover Besides a Prison Record", 2.1, 38-39; "Hospital", 2.1, 40.
Joy, Eileen, "About the Author," 27.1, 20-26.
Juska, Elise, "Feeding Grief," 27.1, 102-107. |
K
Kalamaras, George, "At Night . . ." 16.1, 80; "Tonight, The Wind . . ." 16.1, 81.
Katrovas, Richard, "Leaving the French Quarter," 7.2, 44-45.
Kauffman, Janet, "The Brethren Home," 8.2, 24; "Materializing," 8.2, 25.
Kaufman, Andrew, "Etude in Black," 13.2, 67; "from The Taryn Sonnets: #18," 15.1, 13.
Kealey, Tom, "The Problem with Flight," 28.2.
Kearney, Meg, "What She Told Me," 24.2, 142.
Keeble, John, "Hostiles," 22.2, 46-75. Keesey, Anna, "Be My Boo Radley," 23.1, 5-22. Kennedy, Thomas E., "Here's My Story, It's Sad But True," 13.1, 52-61.
Keelan, Claudia, "The Equator," 17.2, 20; "Richter," 22.1, 20; "Parable 4," 22.1, 21; "Parable 4b (against the objective correlative)," 22.1, 23-24; "Spring," 22.1, 25.
Keller, David, "The Street with a Balloon Overhead," 11.1, 74-75; "Going Back to the City," 12.1, 59-60.
Keller, Pat, "Aerialist", 2.1, 32; "Elevator," 2.1, 32-33.
Kennedy, John, "Matthew: Tax Collector," 21.2, 101-102.
Keplinger, David, "Mercy," 21.1, 108.
Kiley, Gillian, "Hawk with Two Jesses, a Ring and a Leash," 28.2.
Kirchner, Neal, rev. of The Perfect Life by Kate Knapp Johnson, 20.2, 173-175.
Kipniss, Mark, "Language as Bait," 25.2, 48; "Water," 25.2, 49; "The Pastor as Airfield," 25.2, 50-53. Kirkpatrick, Bear, "Ties," 21.2, 126-140. Kistulentz, Steve, “Playing the Lead,” 30.2, 143. (p) Kittredge, William, "Freedom," 10.2, 19-21.
Klein, Michael, "More Light," 15.2, 34-35.
Kleinschmidt, Edward, "The Absence of Day," 13.2, 69; "What Gives," 21.1, 20; "Atom Smashing," 22.2, 137; "Object Lesson," 22.2, 138.
Knott, Bill, "Contemporary Outremerican Poetry," 17.1, 100; "Peomclone #4," 17.1, 101.
Knowles, Clark, "Little George," 25.1, 6-16.
Knox, Jennifer, "Reticence in the Afterglow of a Powerfully Frisky Fit," 27.1, 110-111; "And Now a Message from the Seahorses Whinnying in Our Mailbags," 29.2, 13-14.
Kohler, Sandra, "Orts," 27.2, 63; "Primary Colors," 27.2, 64.
Kolodny, Susan, "Paros, View From The Harbor," 19.2, 7.
Komunyakaa, Yusef, "Black String of Days," 9.1, 69; "Charmed," 9.1, 70; "Audacity," 9.1, 71; "Richochet," 22.2, 77-105.
Kooser, Ted, "Walking At Noon Near The Burlington Depot In Lincoln, Nebraska," 7.1, 9-10; "In The Basement Of The Goodwill Store," 7.1, 11.
Koster, Raphael, rev. of Flight From Valhalla by Michael J. Bugeja, and Letters to the Dead by Simon Perchik, 20.2, 160-165.
Kozak, Roberta, "Their Inheritance," 11.1, 42-43; "Shot of the Garden at Dusk," 11.1, 44-45; "On Brevity," 12.1, 6-7.
Kulik, William, "Hypereducated," 24.2, 159; "The Triumph of Narcissus and Aphrodite," 24.2, 160-161; "Resumé," 24.2, 162-163. Kuper, Daniela, "goodbyegoodbyegoodbye," 26.2, 28-39.
Kushner, Dale, "Sleeping Beauty," 13.1, 74.
Kuzma, Greg, "The Pheasant," 8.1, 99; "The Birds," 9.1, 16-17; "On Robley Wilson, Jr.'s Kingdoms of the Ordinary," 15.1, 125-127. |
L
Lacy, Robert, "Andre," 26.2, 40-46. Lammon, Martin, "Strange Waters" [from Nine Degrees North], 26.2, 151-159.
Lancelotta, Victoria, "Full," 21.1, 114-121.
Landers, Fred, "Max," 18.1, 144-152.
Langlas, James, "The Truth About Drowning," 17.2, 33.
Lardas, Konstantinos, "The Mourning Songs of Greece," 13.1, 26-34.
La Barre, Adele Regina, “Homunculus,” 30.2, 36-43.
LaSalle, Peter, "Port-Au-Prince," 11.2, 110-127; "The Spaces Inside Sleep," 29.2, 15-36.
Latta, John, "Witness, Tree," 28.1; "D.I.Y.," 28.1.
Lazer, Hank, "In Opposition Is True Friendship: Robert Hass's Praise," 6.2, 112-127; "Technician of the Social: Gil Ott's Public Domain," 18.1, 106-116.
Lea, Sydney, "Surviving Romance," 10.2, 52-54; "Facing the Revenant," 10.2, 55-56; "The One Near Thought of the Stone in Autumn," 10.2, 57-59.
Leask, Ian Graham, "A Boy at the Door," 25.1, 40-50.
Lee, Robert, "Anniversary of One," 27.1, 126.
Lemon, Alex, “Love is a Very Small Tsunami,” 30.2, 130-131.
Lefer, Diane, "Yasemin," 19.2, 71-84.
Leone, Dan, "You Have Chosen Cake," 18.1, 88-92.
Lerch, Sharon, "Past Lives," 16.2, 112-123.
Levchev, Vladamir, "Athens," 18.1, 100.
Levine, Mark, "Wild West," 17.1, 21-22; "The Polish Shoemaker," 17.1, 23-24; "Mercy," 23.2, 15-16; "Hello," 23.2, 17-20; "The Holy Pail," 23.2, 21.
Lewis, Lisa, "Leaving Sampson County in August," 11.1, 46.
Libbey, Elizabeth, "Beyond Hearing, To Be Asked In", 2.1, 28; "The Lie", 2.1, 28-29; "Love Poem", 2.1, 29; "Insomnia: a Practical Guide," 2.1, 29; "Building my Home in the Woods", 2.1, 30; "Paraphernalia," 10.2, 22-23; "Landscape for One Voice," 10.2, 24-25.
Lifshin, Lyn, "five poems from MIDDLEBURY POEMS", 2.1, 16-17 ("[the mouth of the]", 16; "[crawling up the]", 16; "[smoke snow the]", 16; "[more faces]", 17; "[no doctors, surgeons]", 17); "Oh Yes He Wants to Feel Happier Help People," 15.2, 44.
Lingafelter, Amy, "The Candy Poem," 26.1, 16-17.
Lindsay, Frannie, "Coming Awake Together," 11.2, 68-69.
Lippman, Matthew, "Road," 24.1, 138.
Lipschultz, Geri, "The Survivors", 3.1, 1-7. Lisicky, Paul, "Patio Lights," 14.2, 67-76.
Lisowski, Krzystof, "A Letter About a Well-Known Accident," 27.1, 127.
Liu, Timothy, "Sturm Und Drang," 28.1.
Lobis, Bob, "Traveller," 16.2, 89-93.
Lodato, Victor, "The Dog Is in the Yard," 28.2.
Loewinsohn, Ron, "Goat Dance: Orpheus Turning", 2.1, 42-43; "Goat Dance", 2.1, 43; "Goat Dance", 2.1, 44; "Un Souffle Disperse Les Limites Du Foyer", 2.1, 45.
Lombreglia, Ralph, "Purification," 16.1, 110-124.
Longhorn, Sandy, "Self-portrait: February," 29.2, 101.
Looney, George, "Dark Water Rising," 14.1, 11; "The Shock of Waking Human: On Scott Cairn's The Theology of Doubt," 15.1, 128-130; "Songs I Know by Heart and Love," 15.2, 129-135; "Carbon Cycle," 17.2, 34-36; "One of Weather's Best Lies," 25.1, 52-54; "The Nonsense of Bird Tongues".
Lopez, Victor, "The Party Tie," 13.2, 183-184; "My Legal Rights, Lieutenant," 13.2, 185.
Loughlin, John, "The Heart Is a Blue Vegetable That Sings When You Bite It," 21.2, 144-145.
Lowry, Beverly, "Smith and Rita Press On," 10.1, 15-25.
Ludvigson, Susan, "Cleopatra," 9.1, 44.
Luster, Deborah, 24.2, 94-99.
Lux, Thomas, "One Meat Ball," 21.2, 124-125.
Lyons, Paul, "Variations In A German Field," 14.1, 67-77.
Lyons, Richard, "These Continuous Things," 28.2; "To the Tune of The Last Time I Saw Paris," 28.2. |
M
Maceri, Linda, "The Idea of Emeralds," 27.1, 112-125. Madden, David, "Cherokee Is Missing," 22.2, 1-19.
Madonick, Michael, "Platypus," 27.1, 108-109.
Maggi, Maria Theresa, "The Blank World," 19.1, 56-63.
*Mahapatra, Anuradha, "Engraving," 15.2, 86-87; "You," 15.2, 88-89.
Mahapatra, Jayanta, "Dust," 9.2, 84; "Sunday," 9.2, 85.
Maher, Kathleen, "Empty Mirror," 13.1, 76-88. Malone, Paul Scott, "In an Arid Land," 18.2, 89-101; "When It's a House," 21.2, 111-122. Mandelbaum, Paul, "Tropics," 15.2, 36-42.
Manfredi, Renée, "Truants," 15.2, 90-102; "The Projectionist," 18.1, 153-167.
Manning, Maurice, "On God," 27.2, 11; "First," 27.2, 12; "Without a Vision," 27.2, 13; "An Elegy for the Moon," 27.2, 14.
Marcotte, Madeline, "Marriage," 26.1, 18-19.
Margolis, Gary, "His Ice House," 6.2, 71.
Markert, Lawrence, "Animal Incantations," 6.2, 44-45; "Bringing Back the Dead," 13.2, 68.
Marks, Corey, "A Partial History of Swine," 24.1, 18-20.
Markus, Peter, "Good, Brother," 25.2, 12-14.
Marlis, Stefanie, "The Same Light," 9.1, 41; "The Force of His Sadness," 14.1, 40; "Remembering About Love," 14.1, 90.
Marshall, Quitman, "The Moustache Speaks," 11.1, 70-71.
Martin, Jack, "Dear Muse," 24.2, 75.
Martin, Valerie, "Sea Lovers," 11.2, 58-63.
Martinez, Dionisio D., "Iberia," 17.1, 56.
Martinez, Ramón E., "After Lorca," 13.2, 65.
Marvel, Catherine, "Museum of Comparative Zoology," 19.2, 67; "Viral Surgery," 19.2, 68; "Physical Measurements in Aphasia," 19.2, 69-70.
Masterson, Dan, "Rescue", 2.1, 10-11.
Mastin, Diane, "Ceremonies," 4.2, 44-47.
Mattawa, Khaled, "Bread & Butter," 22.1, 91-92; "Echo & Elixir," 28.2.
Mathis, Cleopatra, "August Birthday," 9.1, 42; "Louisiana Snow," 9.1, 43.
Matthew, Jean R., "Birthroot," 15.1, 96-106. Matthews, Jack, "The Truth of Holcomb Street," 8.1, 7-16; "The Two of Them Together," 9.1, 79-88; "'This Moment Is Ours Alone,'" 10.1, 54-64.
Matthews, William, "Dream House," 1.2, 51-52; "The Mail," 1.2, 52-53; "Money," 1.2, 53-54; "Sunday Alone in a Fifth Floor Apartment, Cambridge, Massachusetts", 1.2, 55; "from A Happy Childhood," 9.2, 26; "Orthopedic Surgery Ward," 9.2, 27; "A Poet's Alphabet," 11.2, 18-24; "Big Tongue," 21.2, 141-143.
Mayes, Frances, "The Poem With No End," 7.2, 42-43.
McAulay, Sara, "Wild Salad," 13.1, 102-120.
McCloskey, Mark, "Sixteen," 7.1, 77; "She Leaves Her Father's Ranch," 7.1, 78 (AWP Poetry Series Finalist).
McClure, Michael Jay, "Depth," 28.1; "We Are Not Together," 28.1; "After (#1)," 28.1.
McCoy, Valerie Stevens, "Whiteout," 18.1, 176.
McCracken, Michael, "At the Crossroads: The Blues in Alabama," 24.1, 86-90.
McCray, Sjohnna, "His Face is as Far Away as the Light of a Farmhouse Across Dark Fields," 24.2, 143.
McElroy, Colleen J., "To Whom Do you Wish to Speak", 2.2, 61-64; "It Ain't the Blues That Blows an Ill Wind," 11.1, 40-41.
McGehee, Heather, "From the Journal of a Nineteenth Century Aeronaut," 17.1, 152-153.
McGlynn, David, “Flesh and Blood,” 30.2, 48-61.
McGookey, Kathleen, "Lilies," 19.1, 136.
McGuckian, Medbh, "Alone with the Boatman," 28.2.
McKinney, Irene, "Deep Mining," 9.1, 66-67; "Little Boats," 9.1, 68.
McKinney, Sandy, "The Sphere," 14.2, 90.
McKnight, F.S., 25.1, 58-63.
McLellan, Leigh, "Anniversary," 1.1, 9; "Death of a Chinese Artist", 1.1, 9; "Leaving Alabama," 1.1, 9.
McMahon, Lynne, "Domestic in 4 Parts," 4.1, 58-61; "The New Days," 12.2, 36-40.
McMillen, William, "The Oxford, Wisconsin Winter Carnival and Fisheree: January 23-25, 1959", 3.2, 1-5.
McNair, Charles C., Jr., "Black Warrior", 2.2, 45-46; "Anna Who Talks In Her Sleep," 4.2, 52; "Boys Will Cry Wolf," 7.1, 62-66.
McNally, Stephen, "Heavenly," 15.2, 103.
McNeal, Tom, "Murdock's Wife," 18.1, 38-51.
Meek, Sandra, "Driving the Desert," 22.2, 20-21.
Meekins, Beth, "Lost in the Laughing Place: Notes on the Postmodern Postsouthern Condition," 20.2, 146-159.
Meinke, Peter, "The Bartok Choir in Castelnuovo," 21.1, 109.
Memmott, Roger Ladd, "Filosofers and Phools", 2.1, 1-10.
Mentzer, Robert, "Story About Hugging," 28.2. Merwin, W.S., "Testimony," 25.1, 65-122. Messer, Richard E., "Learning to Drive", 3.2, 29-37. Meyer, Stephen, "Ordinary Recitation," 27.2, 130-144. Meyers, Kent, "Timothydammit," 16.2, 30-37.
Mickelberry, William, "To the Borderland (excerpt)," 4.2, 87-99. Miles, Margaret, "The Geography of Home," 24.1, 139-146.
Militello, Jennifer, "Roam Season," 26.2, 1.
Miller, Anita, "Beautiful Mexico," 1.1, 37-48. Miller, Birthalene, "Big Mama and the Rolling Store Man," 6.1, 23-31. Miller, Char, "Dissection," 26.1, 105. Miller, Jane, "New Body," 15.2, 49-63; "Gratitude," 27.1, 49-66. Miller, Katherine Toy, "Subvert-Yr-Cat," 16.2, 17-25.
Miller, Susan L., "Pictures of the Floating World," 29.1, 91-92.
Milosevic, Mario, "A Gathering of Marbles," 28.1.
Minot, Stephen, "A Death in Paris," 13.1, 35-51.
Minty, Judith, "from Yellow Dog Journal: Spring Sequence," 5.1, 72.
Mishkin, Julia, "Sleeping Alone near Water," 11.1, 76; "Desire Lies Down on the Quiet Lake of the Memory," 11.1, 77.
Mitcham, Judson, "Night Ride, 1965," 10.1, 85.
Mitchell-Foust, Michelle, "Cat-Headed Bast," 17.1, 53-54; "On The Happiest Day of Your Life," 17.1, 55.
Mock, Jeff, "The Presence of Absence," 20.1, 85; "Without You," 20.1, 86.
Moffi, Laurence, "Come Back", 2.2, 41-43; "Ida's Invisible Mending," 6.1, 51; "A Good Start," 6.1, 52-53; "To the Preacher's Son, Paddled for Dropping his Pants in the Lunchroom," 6.1, 54; "Lullaby," 4.2, 5-6; "February," 4.2, 7; "Bringing Home the Dog," 10.1, 117.
Moffitt, Letitia L., "Living Dead," 20.1, 9-19.
Molloy, Barbara, "Force," 12.2, 29-30.
Montesonti, Frank, "Every 1930s French Novel," 29.2, 54-55 . Moore, Anna Blackmon, "Courtship and Mating in Humans and Shellfish," 27.1, 70-75.
Morehead, Maureen, "The purple lady and the lovers," 4.2, 80; "The purple lady and God," 4.2, 81-82; "The purple lady and Mary," 4.2, 83.
Morgan, John, "Expedition North," 7.1, 79; "The Artic Herd," 7.1, 80-81 (AWP Poetry Series Finalist); "Robert Lowell in Juneau," 8.1, 17; "The Snake Hunt: Gallup, New Mexico," 8.1, 18-19.
Moriarty, Laura, "from Symmetry," 18.1, 57-74. Morris, Keith Lee, "In the Lobby of the Hotel St. Marie," 23.1, 43-45. Morris, Mary, "Conquering Space," 10.2, 7-16.
Morris, Paul, "Letter From Berlin," 13.1, 94-95; "Crib Death," 13.1, 96; "Leaving Guatemala," 13.1, 97-98.
Morrow, Diane, "Bolivia," 20.1, 87-99.
Morro, Henry Jeronimo, "Somoza's Teeth," 18.1, 97.
Moscona, Myriam, "Last Garden," 13.2, 160-161.
Mr. Hooper, “The Eavesdropper,” 30.1, cover; “Cast of Characters,” 30.1, 81; “The Dirty Talker,” 30.1, 82; “Dude with a Comb Over,” 30.1, 83; “no. 108,” 30.1, 84; “3 Floors,” 30.1, 85; “Devil Man,” 30.1, 86; “An Idiot with a Switchblade,” 30.1, 87; “Kenny’s Dad,” 30.1, 88.
Mueller, Lisel, "Into Space," 10.1, 51-53; "Things," 21.2, 30; "In November," 21.2, 31; "Gloves," 21.2, 32.
Mullen, Laura, "The Visible World," 19.2, 107-108. Mumm, Carl, "Alice and the Emperor," 21.1, 130-145; "The Scientist," 22.1, 127-135.
Murray, Ray, rev. of Tuscaloosa by W. Glasgow Phillips, 20.2, 175-179.
Murphy, Y.C., "Skunk Lady," 20.2, 21-22.
Musgraves, Leroy, "What Is Left," 14.1, 41; "I Was Looking," 14.1, 102. |
N
Nail, Leslie, "At the Whirler Planetarium, Houston," 8.2, 63.
Nelson, Kent, "A False Encounter", 2.2, 15-31.
Nelson, Leslie, "Imagining My Parents Spending A Weekend At The Beach," 14.1, 9-10.
Nelson, Liza, "Intersection," 10.2, 94-95; "Wild Salad," 11.2, 90.
Nelson, Paul, "Frozen In," 9.1, 12; "Confluences," 9.1, 13; "The Invention of Handball," 11.1, 22; "Benediction," 11.1, 23.
Nemerov, Howard, "Crotchets," 14.1, 47.
Neuer, Kathleen, "The Runaways," 13.1, 66-67.
Neville, Susan, "Perfect Circle," 26.2, 92-108. Nickol, Michelle, "Ackerman's k," 25.2, 122-124.
Nixon, Cornelia, "Death Angel," 15.2, 15-27; "Assumed Identity," 17.2, 108-117.
Noble, Anita, "and then," 15.2, 112; "like this," 15.2, 113.
Northop, Kate, "Two Stories," 22.1, 120-121; "The Servant Girl," 23.1, 92; "Story: 1," 23.1, 93.
Notley, Alice, "There Was a Room of Statuettes of Saints in Struggle," 26.1, 36-39; "The Donor of the Mosaics," 26.1, 40-42; "Judgement in Rosy Quartz," 26.1, 43-46.
Nova, Craig, "Recognition," 10.2, 74-91.
Nugent, Beth, "Popular Girls," 19.2, 23-48. Nussey, Kent, "In Christ There Is No East or West," 12.2, 59-67. |
O
Oakes, Jennifer Callin, "In a Moment," 20.1, 121-123. O'Connell, Edward, "Crossing Chihuahua," 23.2, 22-32. O'Connor, Philip F., "Evolution," 6.2, 76-111. Offill, Jennifer, "Drinking Stories," 19.1, 64-66.
Olmstead, Robert M., "Burying Dogs," 10.1, 111-116; "A Good Cow," 10.2, 47-51; "After We Make Love," 21.2, 56-65; "Her Lover," 23.2, 106-119.Olsen, William, "The Watercolorist," 6.2, 62-63; "The Short-Order Cook," 6.2, 64-65; "Letter From Mississippi," 6.2, 66; "Cows," 24.1, 21.
Olsson, Kurt S., “Leaving Russia, 1917” 30.2, 64.
Oness, Chad, "August 1990," 20.1, 59.
Orner, Peter, “Herb and Rosalie Swanson at the Cocoanut Grove,” 30.2, 26-31.
Orozco, Olga, "After Days," 15.2, 108-111.
Orr, Leonard, “Clouders,” 30.2, 65.
Oses, Rafael, "The Fan," 25.1, 1; "The Amaranth," 25.1, 2; "The Night Linus," 25.1, 3; "The Thoroughbred," 25.1, 4.
Osier, Jill, "Still," 29.1, 50; "November Again," 29.1, 51. |
P
Pack, Robert, "Sculpting in Stone," 10.1, 82-84.
Paino, Frankie, "Magic," 17.2, 37-38.
Pankey, Eric, "Serenade," 18.1, 93.
Panning, Anne, "Rita's House," 19.1, 162-169.
Pape, Greg, "In San Antonio," 7.1, 60-61; "Who Was Antonio Azul?" 9.2, 28-29; "Put Your Mother on the Ceiling," 9.2, 30-31; "Whatever Happened to J.C.," 20.2, 24-25; "Evening News," 20.2, 26-27.
Pappas, Theresa, "Not Watching the Men," 19.2, 8; "His Skin the Color of This Coffee," 19.2, 9.
Parish, Tim, "After the River," 21.1, 31-42. Park, Catherine H., "Towering Lucinda," 20.2, 31-47.
Park, Joon, "Flight of Gravity's Attention," 20.1, 124.
Parker, Jacqueline Dee, "Razor's Edge," 18.1, 169.
Parker, Michael, “Smoke from Chester Leading Me Down to See Dogman,” 30.2, 132-142.
Parks, Cecily, "Underwear," 28.2.
Parks, Richard, "obsidian," 16.1, 82; "deformed," 16.1, 83.
Pate, James, "12 Resolutions Toward a New Year," 26.1, 96-104.
Pau-Llosa, Ricardo, "The Room," 12.1, 41; "What Is a Face," 12.1, 42-43; "Tropicana," 17.2, 57.
Pavlic, Ed, "Sacred Rum Toes," 25.1, 124-125; “Voir Dire: The Aggrieved Address The Jury Box,” 30.2, 34.
Pawlowski, Robert, "Soldier's Poem," 7.1, 82; "Confirmation," 7.1, 83 (AWP Poetry Series Finalist).
Payne, Johnny, "Cutting Up History: The Uses of Aleatory Fiction," 18.2, 107-125.
Peacock, Molly, "After Breakfast in Buswell's," 29.1, 95-111.
Pearce, Mary, "Pitch," 19.1, 173-178.
Peckham, Joel B., Jr., "'O' Street, Lincoln, Nebraska," 25.1, 17.
Peery, Janet, "What the Thunder Said," 18.2, 10-15.
Pei, Lowry, "Up the Delta," 5.2, 57.
Pelegrin, Alison, “Li Po at the Crawfish Boil,” 30.1, 160-161.
Penner, Jonathan, "Highway Robbery," 9.2, 40-42. Perabo, Susan, "Who I Was Supposed To Be," 21.1, 94-107.
Perchik, Simon, "[This ledge and my leather jacket]" 16.1, 103; "[What I hear, flat, off key]" 16.1, 104; "[What a long way]" 17.2, 96; "[Who knows, with his mouth wide]" 17.2, 97; "[-to be the darkness just forming]" 18.2, 19; "*," 23.2, 33; "W1," 24.2, 60; "*," 25.2, 57; "[The school bus learned nothing]," 28.1; "[You strap this watch in place]," 28.1.
Perillo, Lucia Maria, "Inseminator Man," 22.1, 41-71. Perry, Drew, "Cruzada," 27.2, 3-10.
Peterson, Allan, "Nothing But Scapulae," 15.1, 28; "Stars on a Wire," 15.1, 29-30; "Vectors of Change," 15.1, 31; "Local Influence," 15.1, 32; "Talking with Clothes," 15.2, 45; "Dressing for Dreams," 15.2, 46; "Multiple Lives," 15.2, 47-48; "The Salmon For Instance," 16.1, 99-102.
Petrucci, Marvyn, "Snow," 29.2, 100.
Pettit, Michael, "Celestial," 6.2, 46; "Self Portrait Approaching Promontory, Utah," 9.1, 32-33; "Cape Work," 9.1, 34; "Fire and Ice," 9.1, 35.
Phillips, Max, "Harm," 14.2, 79-89.
Phillips, Patrick, "The Mussel," 26.1, 118-119.
Philpot, Tracy, "Why You Close Doors Behind Us," 17.1, 155-156.
Pierman, Carol J., "How the World Has Changed," 15.2, 28-29; "Visiting the Shrine," 15.2, 30-31; "Perestroika," 15.2, 32-33; "The Museum of Human Response," 21.1, 88-89.
Pio, Greg, "Three Urban Studies," 11.2, 48-49.
Piper, Anne, "The Cousins," 29.2, 38.
Platt, Donald, “After,” 30.1, 14-15.
Poirier, Mark, "Gators," 27.1, 77-97. Pomerantz, Sharon, "Shoes," 21.2, 33-44.
Poon, Heidi Johannesen, "The Unrequited Love of Yoshitoshi's Widow," 26.1, 92.
Pope, Robert, "The Recital," 13.2, 7-24.
Pope.l, William, "The Phone Call," 16.2, 28.
Porzecanski, Teresa, [trans. by Johnny Payne], "Witchcraft of the Tribe" [from Sun Inventions], 18.2, 126-134. Potkin, Alan, "Kyle," 16.1, 86-89; "The Lovers," 16.1, 90-93; "The Photographer," 16.1, 94-98. Powell, Alison, “Shangri-La,” 30.2, 123. Powell, Elizabeth, "Concerning the Holy Ghost's Interpretation of J. Crew Catalogues," 24.1, 34-57.
Prange, Marnie, "Suicide at the 'L' Motel, Flagstaff, Arizona," 16.2, 111.
Price, Elizabeth A., "Life of Crime," 12.2, 53-54.
Price, Reynolds, "First Love, Hayes Barton, 1958," 17.1, 9.
Proffitt, Pamela, "The Gardner," 20.1, 24.
Pruett, Lynn, rev. of Other Fires: Short Fiction by Latin American Women ed. by Alberto Manguel, 13.2, 227-234.
Puga, Maria Luisa, "Young Mother," 13.2, 156-159. |
Q
Quade, Mary, “First Place at the County Fair,” 30.2, 124-129.
Quarles, Randy, "Uncle Gray's Funeral", 39-45.
Quenneville, Freda, "Having Begonias," 19.2, 129-130. |
R
Rabbitt, Thomas, "Six Poems from EXILE," 1.1, 27-29. "[A German ambassador...]", "[The mouth of the world...]", "[If life is a handkerchief..."], "[After that alien...]", "[The holly has a berry...]", "[I like to see it...]"; "Asylum", 1.2, 25-28; "The Saint & Her Betrayer," 6.2, 21-26; "Timber Sales," 10.1, 165; "Christmas Gifts," 10.1, 166-167; "September 1, 1983," 10.1, 168; "Tortoise," 10.1, 169; "Losses," 10.1, 170; "Road Kills," 20.2, 49-71; "Aprils Fool's Day, Morgan Hall, the Department of English, the University of Alabama, Tuscaloosa Campus," 25.2, 1-2; "The Beach at Falmouth Heights, Summer, 1952," 25.2, 3-8.
Rabinowitz, Anna, "Mixed Media," 19.1, 7-8; "Hymn," 19.1, 9-10.
Rack, Melanie Jordan, "Why Astronomy Matters," 28.2..
Ramírez, Eréndira, "Arañas," 27.1, 3-15.
Ramke, Bin, "Spring Poem," 6.1, 55.
Randolph, Amy, "Angel," 24.1, 106.
Rawson, JoAnna, "Django's Guitar," 19.1, 85.
Redkal, Paisley, “The Invention of the Kaleidoscope,” 30.1, 97-114.
Redwood, James D., "The Son Returns," 26.2, 166-178.
Reichard, William, "Invert," 19.1, 179-181
Reid, Nicole Louise, "Worlds Away," 27.2, 115-121.
Remple, Margaret, "Night Stories," 18.1, 173-175.
Renkl, Margaret, "Out from the Dark of Trees at Night," 15.2, 9-14.
Ress, Lisa, "Belvedere Palace And Favoritenstrasse, Vienna IV," 6.2, 33.
Revell, Donald, "My Errand," 27.2, 73-90. Rheinheimer, Kurt, "Sirens," 7.2, 48-55; "New Weather," 8.1, 80-84; "Visiting Thack," 10.1, 86-89. Ribeyro, Julio Ramón, "An Ordinary Sunday," 13.2, 168-178.
Richard, Brad, "Facing the Objects," 17.2, 58. Richardson, John H., "A Horizon of Clouds," 14.2, 9-15.
Riddell, Amy C., "Criminal Intent," 19.2, 49; "Lullaby for My Other Mother," 19.2, 50.
Riede, Cynthia, "Crows," 27.2, 34-43.
Rigby, Karen, "Verité," 29.1, 139.
Rigsbee, David, "The Next I Know," 10.1, 134-135.
Rilke, Rainer Maria, "The Bowl of Roses," 13.2, 70-72.
Rinehart, Steven, "Funny Cars," 17.1, 25-33.
Ríos, Alberto, "I Would Visit Him in the Corner," 8.2, 28; "The Seeds That Come Through the Air," 8.2, 29; "Street, Cloud," 11.1, 24.
Rivard, David, "Walking By," 8.1, 55; "Autumn," 8.1, 56-57.
Roberts, Beth K., "Ode to Horseshoe Crab," 18.2, 104.
Roberts, Len, "If forgetting what you know," 20.2, 118-119.
Robinson, Matt, "[apple: he said she did, but]," 28.2.
Rodier, Katharine, "In November," 6.2, 70.
Rodriguez, Jesus Ramon, "What It Is You Feel At Times Like This," 17.1, 170-176.
Rogers, Pattiann, "The Way of Creation," 12.2, 27-28.
Romtvedt, David, "Be Careless, Reckless! Be A Lion! Be A Pirate!" 14.2, 94-97.
Roripaugh, Lee Ann, "Fish Wife," 22.2, 139-141.
Rosenberg, L.M., "Snowbound in Lanesboro, Pennsylvania," 10.1, 140.
Rossini, Clare, "Leave of Absence," 16.2, 14-15; "Portrait: The Adolescent Self," 16.2, 16.
Royer, Carl, "Sea Changes: A Black Warrior Reflection," 29.2, 8-12.
Rubin, Mark, "Entry," 7.1, 15; "Movement by Low Tide," 7.1, 16; "Soul Train," 16.1, 36; "The Way They Want," 16.1, 37.
Ruefle, Mary, "Lake Gulls In April," 4.2, 100; "Stagger," 4.2, 101; "Six Arguments With Kafka," 4.2, 102-105; "The Retarded Walking in Snow," 6.1, 67; "Written," 6.1, 68; "Mason," 6.1, 69; "Dead Silence On A Beautiful Day," 10.1, 103; "As Many As Nine," 10.1, 104; "Stamina," 10.1, 105; "More Nights," 10.1, 106; "Almost as If to Tell Me," 10.1, 107; "The Wife of Mission Rock," 10.1, 108; "Who Shall Have This," 109; "Lady Throwing Crackers to the Sea," 10.1, 110; "Zorro & the Bats," 16.2, 95; "Evangelical," 21.1, 110; "The March," 21.1, 111.
Rugo, Mariève, "Red Bird in a White Tree," 8.1, 98; "Landscape as Closure," 13.1, 92-93.
Ruland, Jim, “The Previous Adventures of Popeye the Sailor,” 30.1, 75-77.
Rumsey, Tessa, "Big Rig Baroque Sky," 21.2, 28-29.
Russell, Josh, "Memento Mori," 27.2, 51. Russell, Paul, "The Witch and the Goatboy," 7.2, 72-81.
Rutsala, Vern, "Speaking Her Lonely Greek," 8.1, 52-53; "A Little Night Music," 8.1, 54; "Bravado and Rage," 10.1, 46-47.
Ryder, Pamela, "Apogee," 24.1, 99-105. |
S
Salamun, Tomaz, "An Eel Rushing from the Mouth of the Sun," 25.2, 67-91; “Form, Don’t Rush, Begin to Gape Again,” 30.1, 89-91; “[again the roads are silent, dark peace],” 30.1, 92.
Salazar, Dixie, "The Chameleon," 20.2, 19-20.
Sallis, James, "P.S.," 10.1, 156-159.
Saltzman, Arthur, "The Cast of Characters," 29.1, 7-16.
Sampson, Dennis, "The Double Genesis," 5.2, 61-65; "Elegy for a Child Who Drew Schools," 4.2, 21; "November Poem to an Unborn Child," 4.2, 22-23; "What the Rising of the Dead Shall Mean," 4.2, 24-25; "Mountain Dream," 6.2, 68-69; "Joy of Living Alone," 9.2, 54-55.
Sampson, Mary Ann, 26.2, 61-69.
Sandor, Marjorie, "A Night of Music," 12.2, 14-24.
Sandy, David, "For the Fisherman," 6.1, 39.
Santos, Bienvenido N., "Cardboard Lovers," 8.1, 24-33.
Santos, Sherod, "Clearings," 4.1, 11-15; "Sight-Seer," 6.2, 34-35; "The Wait," 6.2, 36-38; "The Unsheltering Ground," 16.2, 73-87.
Sarracino, Carmine, "On Tao-Chi's 'Returning Home,'" 5.2, 16.
Savoie, Terry, "Two Poems to Replace March," 7.1, 56-57.
Scarbrough, George, "Summer Revival: Dead Mule," 5.1, 89-91; "The River of Life," 5.1, 92-93; "The Butcher Boys Observes the Butcher Taking Communion," 5.1, 94-96; "Communion," 5.1, 97-98; "The Good Men," 6.1, 9-10; "Premises," 6.1, 11-12; "Two Climbers on a Mountain," 6.1, 13-15; "Viewpoint," 6.1, 16-17.
Schapiro, Jane, "The Final Blast," 16.2, 9-10; "Exhibitionist," 16.2, 11; "Postpartum," 16.2, 12-13; "Breath," 17.1, 10.
Schexnayder, Kenneth, "Departure," 12.2, 71.
Schiff, Robyn, "Morakami Museum Garden," 26.1, 26.1, 93-95.
Schmidt, Geoff, rev. of Crazy in Alabama by Mark Childress, 20.2, 165-167; "Tangle Apple Flesh," 22.1, 1-21. Schneiderman, L.J., "Comfort Care," 18.2, 63-71.
Schutz, Lacy L., "R/Egress," 28.2.
Scott, Herbert, "Invocation," 14.2, 45; "The Sea of Despair," 14.2, 46; "The Neighbor," 14.2, 47; "The Husband," 14.2, 48.
Schilpp, Margot, "Equilibrium," 28.2.
Schreiber, Laurie, "Balloons," 14.1, 99-101. Schuett, Laura White, "The Bones of Fourteen Children," 17.1, 73-80.
Sears, Peter, "Boat Dream," 1.2, 29; "Inmates Work at the Chicken Factory," 1.2, 29-30.
Selby, Spencer, "The Long Default," 18.2, 7-9.
*Sen, Nabaneeta Dev, "Beginning and End," 15.2, 82-83; "Return," 15.2, 84-85.
Sexson, Lynda, "Forgery," 14.1, 79-88. Shacochis, Bob, "Hot Day on the Gold Coast," 11.1, 49-69. Shapiro, Gerald, "At the Restaurant, Waiting, for Betty," 12.2, 73-80.
Yellow Boat," 14.1, 18-19; "Holland," 14.1, 38-39.
Sheck, Laurie, "Escape Velocity," 23.2, 65-66; "Untitled" [from Black series], 23.2, 67-68; "Untitled" [from Black series], 23.2, 69-70.
Shelnutt, Eve, "Indigo," 6.2, 9-14; "The Husband," 16.2, 58.
Shepherd, Gail, "In Theory," 18.1, 52; "By Available Light," 18.1, 53; "Between 20 and 20,000," 18.1, 54-55.
Shepherd, Reginald, "Two Versions of Midsummer," 21.1, 112-113; "He and Sleep Were Brothers," 23.1, 94-95; "Periplus of the Previous Life," 28.1.
Sherer, Carolyn, "from Junior Matriarchs of the South," 23.2, 60-64.
Sherill, Steven, "Mosaic," 23.2, 103; "Psalm of the Malcontent," 23.2, 104.
Sherwood, Jim, "Real Old Pictures," 17.2, 98-101.
Shindell, Matthew, “Sidekick,” 30.2, 1.
Short, Carroll Dale, "The Fish," 4.1, 25-36.
Shumaker, Peggy, "The Circle of Totems," 12.2, 55-58.
Sides, Wayne, "We Must Trust in Shadows," 17.2, 102-105.
Sikélianos, Eléni, "O Melena!" 16.2, 7-8.
Silesky, Barry, "Working on the Roof," 10.1, 70-71.
Simic, Charles, "Zero," 7.1, 36-37; "The Road Home," 10.2, 66-68; "For the Sake of Amelia," 10.2, 69; "With Souls as White as Butterflies," 10.2, 70.
Simmons, Glori, "Markings," 25.1, 22-23.
Simpson, Megan, "B Movie," 16.1, 84; "Letters Following Travel," 18.1, 35-37.
Simon, Beth, "This, The Finland of the Mind, This Iced Age," 28.1.
Simon, Maurya, "Vermeer's Women," 12.2, 69.
Simms, Michael, "The Fire-Eater," 13.1, 7-9.
Sims, David, "Taking Down the Bridge," 13.1, 10-25.
Shapiro, Daniel, "On Leave," 10.2, 71; "The
Skipper, Louie, "Appearance of Deer in the Morning", 2.2, 57-59; "The Death of Snow White," 4.1, 3840; "Cry," 5.2, 15.
Smith, Charlie, "Doctor Auchincloss Bids Goodbye to His Wife," 11.2, 50-51; "Monkey Bridge," 11.2, 52; "Jehovah's Witness," 11.2, 53; "Kings," 11.2, 54-55; "Red Roads," 11.2, 56; "The New World," 11.2, 57; "American Drift," 13.2, 87-88; "Gosnold Pond," 14.2, 18-20; "kogane no nami," 14.2, 21-22.
Smith, Dave, "from Assays," 8.2, 85-104; "No Return Address," 9.1, 58-61; "Tremble," 23.1, 47-73.
Smith, John, "Sasquatch Series," 27.2, 65-72.
Smith, Lauren Bower, "Serpentine," 29.1, 112; "Buzz," 29.1, 113-114.
Smith, Marcel, "Courtship," 1.1, 49; "Ernest," 1.1, 50; "Rich," 1.1, 50-51; "Brunson," 1.1, 51-52; "Flying with the Captain around Denny Chimes," 15.2, 170-171.
Smith, R.T., "Linen List," 23.2, 71-73.
Sneed, Christine, "If Camus Had Asked Me to Write a Love Scene," 23.1, 42.
Snodgrass, Ann, "First Pieta," 12.1, 8-9.
Snyder, Jennifer, "Palm Springs," 21.2, 123; "A Theory About Jazz from 10 Broken Sestinas," 26.2, 26-27.
Som, Brandon Mendoza, "Song of the Named," 28.2.
Song, Cathy, "A Small Light," 13.1, 62-63.
Sosa, Robert, trans. by Jim Lindsey, "Arte Espacial" / "Spatial Art", 3.1, 26-27; "El Invierno Puede Ser Un Invalido" / "Winter Can Be an Invalid", 3.1, 28-29; "Despues De Los Encuentros" / "After the Encounters", 3.1, 30-31.
Soto, Gary, "Emilio," 1.1, 33-34; "Alone in December," 1.1, 34-36; "Probability," 20.1, 20; "Junior College Tour of a Modern Dam," 27.2, 114.
Speer, Laurel, "How Dignified Can We Be?" 15.2, 172-173. Spencer, Darrell, "The Planet of Surprise," 12.1, 63-73.
Sprayberry, Sandra, "Year's End," 12.2, 81-86.
St. Claire, Philip, "Almost Everyone's Story," 23.1, 23; "The First Day of Lent," 23.1, 24; "Hedda and Her Sisters," 23.1, 25.
St. Germain, Sheryl, "Controlling Francois," 28.1.
St. John, David, "Stairways and Fountains," 16.1, 49-63.
Stafford, William, "Trouble-Shooting," 4.2, 1; "How It Is With Family," 4.2, 2; "The Book About You," 4.2, 3; "Child in the Evening," 4.2, 4.
Standing, Sue, "Convict's Mirror," 7.1, 84-85; "Blind Woman Dreaming," 7.1, 86 (AWP Poetry Series Finalist).
Stark, Sharon Sheehe, "Heart of the Dutch Country," 9.2, 56-66. Steele, Max, "The Playhouse," 24.2, 156-157.
Steele, Susie, "D&D Ornamental Concrete," 28.1; cover, 29.1. Stein, Katie, "Mill Witch," 9.1, 73-84.
Stein, Kevin, "The Music Time Makes," 16.1, 105-106; "Sales," 25.1, 146-149.
Steinbach, Meredith, "Bluebeard's Children," 13.2, 95-100.
Stephenson, Shirley, "100 North Limits," 25.1, 18-20.
Stern, Gerald, "Red Bird," 10.2, 60-61; "Red With Pink," 18.2, 75-86.
Stern & Faye, Printers, “Myti Good,” 30.2, cover; “WELCOME HOME HONEY,” 30.2, 92; “GOOD BOY BISCUITS,” 30.2, 93; “Retire From The Ring,” 30.2, 94; “PURE GOODS,” 30.2, 95; “Keep your eyes on the road”, 30.2, 96; “Too many rules, too many rulers,” 30.2, 97; “ABC & XYZ,” 30.2, 98.
Stewart, Jack, "Jerome," 14.2, 91-93; "On Harry Hume's Ridge Music and Billy Collins's The Apple That Astonished Paris," 15.1, 131-135.
Stewart, Pamela, "Pocumtuck Watch," 1.2, 45-47; "A Pantomime in Black and Red", 2.2, 33-34; "The Farm", 2.2, 35-36; "Northern Flowers", 2.2, 37; "Sister", 2.2, 38; "Stream Section: Shugakuin Gardens", 2.2, 39; "Running," 7.1, 45-49; "Flight," 20.1, 21.
Stine, Alison, "Grace," 28.2.
Stone, Myrna, "Bordel on the Street of Mills," 29.2, 116-117 .
Stonecipher, Donna, "Rainy Sunday," 23.2, 99; "To an Aesthete," 23.2, 100-102.
Straus, Marc, "The List," 20.2, 78; "Neuroanatomy Summer," 20.2, 79; "Luck," 20.2, 80.
Streeby, Victor, "Landscape II," 28.2.
Stripling, Kathryn, "Potatoes," 7.1, 87; "Drought," 7.1, 88-89 (AWP Poetry Series Finalist).
Swann, Brian, "Light," 7.1, 90-91; "The Dancing of Stones," 7.1, 92 (AWP Poetry Series Finalist); "Scarlatti and the Black Stove," 8.1, 94-95; "Afterimage," 8.1, 96-97.
Swanson, Eleanor, "Man Waves at Train," 14.2, 43-44.
Swiss, Thomas, "August Outing," 9.2, 52-53.
Szeman, Sherri, "On The Other Hand," 17.2, 83.
Szporluk, Larissa, “Mother-of-Pearl Clouds,” 30.1, 1; “Mr. Punishment,” 30.1, 2; “Neurosurgeon,” 30.1, 3. |
T
Taggart, John, "Star Dust," 18.1, 17-19; "A Number of Times," 18.1, 20-22.
Talarico, Ross, "Everyday," 7.1, 93; "For the Stray Traveler," 7.1, 94 (AWP Poetry Series Finalist).
Targan, Barry, "The Seventh Nation of the Iroquois," 4.2, 56-77.
Tate, James, "From London, A Lady in Distress," 7.1, 38-40; "To a bunch of Rotten Bananas," 9.2, 49; "Save the Mosquitoes," 9.2, 50; "What It Is," 21.2, 97-98; "Stove," 21.2, 99-100; "The Good News," 27.2, 32; "Daughter," 27.2, 33.
Taylor, Linda, "Wheatfield and Van Gogh," 24.2, 42-43.
Taylor, Seth, "What You Want But You Can't Buy," 28.2.
Teig, Michael, "Excluded from Frescoes," 25.2, 26; "How Much String Is in the World. Who Has It," 28.2.
Teillier, Jorge, " Otoño Secreto," 12.1, 74-77; "Para Hablar Con Los Muertos," [translated by Carolyne Wright] 12.1, 78-79; "La Ultima Isla," [translated by Carolyne Wright] 12.1, 80-81; "S*enales,*" [translated by Carolyne Wright] 12.1, 82-83; "Despedida," [translated by Carolyne Wright] 12.1, 84-87; Teillier, Jorge, "Story of a Prodigal Son," 13.2, 134-139; "Night Trains," 13.2, 140-155; "La llave," 15.1, 92-93; "Camino rural," 15.1, 94-95.
Terrill, Richard, "A Café Terrace at Night," 9.1, 14; "Casals," 9.1, 15.
Tester, William, "Where the Dark Was," 24.2, 144-155.
Teter, Vivian, "The Hog Slaughtering," 6.2, 72-73; "What I Saw," 6.2, 74; "Those In The Window," 6.2, 75.
Thompson, Anders, "Chapbook cover design," 14.2, 49.
Thompson, George F., "Jubilee," 1.2, 9; "Oyster," 1.2, 9; "Hurricane Carmen," 1.2, 10.
Thompson, Jeanie, "Blanche d'Antigny. Paris: 1874.", 3.2, 7-8; "Apollonie Sabatier: La Prèsidente. Paris: 1857.", 3.2, 9-10; "La Barucci. Paris: 1868.", 3.2, 11; "The Children," 4.2, 84-86; "Sluice," 25.1, 51.
Thorburn, Russell, "Apollinaire's Head," 26.2, 12.
Tierney, Diane, "Sundial," 18.1, 23; "River Daughter," 18.1, 24.
Tilburg, Mark Van, "The Gauge On Empty," 4.2, 50; "Having Decided To Make A Go Of It, Summer Approaches," 4.2, 51.
Tobin, Daniel, "Near Forty," 25.1, 150; "Banshee," 25.1, 151; "The Locksmith," 25.1, 152-153.
Toma, T.L., "Citadel," 18.2, 48-62.
Tost, Tony, “[My twin died at birth.],” 30.1, 78.
Towner, Daniel, "The Opening," 1.1, 32; "Evidence that One-Eyed Cats Are Pulled into the Earth," 1.1, 33.
Treat, Jessica, "Ants," 17.2, 9-19.
Trejo, Ernesto, "The Cloud Unfolding", 3.2, 13-14; "It's Your Name and It's Also December", 3.2, 14; "Shipwreck", 3.2, 15; "August", 3.2, 16-17.
Trethewey, Eric, "Rabbits for Sale," 8.1, 69; "Thinking of Them," 8.1, 70; "Snowbound," 9.2, 51.
Trimble, Anmarie, "Of Surgery Performed Atop a Ford Galaxie," 29.1, 93-94.
Trent, Luke, "Crazy," 28.1.
Trowbridge, William, "Shoah," 16.1, 31-33; "The Kiss," 16.1, 34; "Million Dollar Winners," 16.1, 35.
Trucks, Rob, "Alaska," 25.2, 15-21.
Tullis, Rod, "A Fireside Story," 17.1, 39.
Twichell, Chase, "The Hotel du Nord," 9.1, 10-11; "The Colorless Center of Everything," 10.2, 26-27; "400 ASA," 12.1, 44-45; "Heart as Kamikaze," 12.1, 46; "Corporate Geese," 20.2, 75-77; "Laughing Bird," 24.1, 98. |
U
Uchida, Kyoko, "House," 26.1, 20.
Ulku, A.K., "Willow," 19.2, 131.
Ulmer, James, "Play Dead," 8.1, 71; "Blackberries," 11.2, 88-89; "Air and Earth: Recent Books by Jorie Graham," 15.2, 136-143. "Melville," 17.2, 21-22;
Upton, Lee, "Book of Seasons," 10.1, 27-28; "Window Seat at the Paradise," 10.1, 28-29; "You Are Not a Child," 10.1, 30; "The Fish House," 19.1, 86; "Herb Gatherers Off I-80," 20.2, 28; "Civilian Histories," 23.1, 36-41. |
V
Varallo, Anthony, "The Houses Left Behind," 29.1, 77-90.
Various Artists, "Exquisite Horse," 25.1, 58-65.
Varnes, Kathrine, “The Bra Burners,” 30.2, 62-63.
Veinberg, Jon, "The Moth-Burning," 20.2, 29-30.
Verghese, Abraham, "The Agent of His Death is a White Woman," 17.2, 118-125.
Vilariño, Idea, "Noche de Sabado," 10.2, 38-39.
Villasenor, Daniel, "The Darkness Surrounds Us," 24.1, 22-30.
Vliet, R.G., "In the Pigeon Loft on a Cloudy Day," 7.2, 58; "1942," 7.2, 59.
Vnucak, Ann, "Anthropology," 19.2, 109.
Vogel, Amber, "Introduction," 15.2, 154. Vogel, Jean Solomon, "detail from Hope," 14.2, cover. Vogrin, Valerie, "Who Can Say Otherwise?" 20.2, 8-18.
Voisine, Connie, "Big Song," 27.2, 1-2.
Volkman, Karen, [Untitled], 26.2, 109, [Untitled], 26.2, 110; [Untitled], 26.2, 111.
Volkow, Veronica, "Memory," 13.2, 164-165. |
W
Wagner, James, "Dali," 27.2, 30-31.
Wagner, Shari, "The Farmer's Wife," 14.2, 77.
Wagoner, David, "Keeping Quiet at the Benedictine Abbey," 27.2, 128-129.
Waldrep, G.C., “Confessions of the Mouse King,” 30.1, 20-21.
Wallace, Ronald, "The Story of New Zealand," 21.1, 28; "Career Day," 21.1, 29; "Hunger," 21.1, 30.
Wald, Diane, "We Are Getting All Upset Over Nothing," 7.2, 17; "Wintering on the Islands," 7.2, 18.
Walker, Nicole, “Scandal,” 30.1, 132-133.
Walleghen, Michael Van, "Orchids," 27.2, 145-149; "The Former Life," 27.2, 150-152.
Wallin, Stephen, "The Scene, 1630," 5.1, 32; "Incident," 5.1, 33.
Walls, Martin, "Socialist Poem #3," 26.1, 128-129.
Wampler, Pamela, "Girls Watching Pubescent Boys in the River," 15.1, 9; "The Morning Song," 15.1, 10; "Anniversary," 15.1, 11; "Words for a Daughter," 15.1, 12.
Warren, Lissa, “Pigeons in Sleet,” 30.1, 46.
Warwick, Ioanna-Veronika, "Anna Livia Plurabelle to James Joyce," 16.2, 101-102; "How Horizons Work," 16.2, 103-104.
Waters, Mary Yukari, "Kami," 26.2, 112-121. Watson, Brad, "Frank's Album," 7.1, 41-44; "The Way to a Man's Heart," 10.2, 30-34. Watson, Lawrence, "Fever," 8.2, 30-35.
Weaver, Richard, "The Drowning Of The Sea Continues," 4.2, 78; "Rain," 12.2, 70.
Webb, Charles, "Braille," 20.1, 83.
Weigl, Bruce, "Girl at the Chu Lai Laundry," 7.2, 82.
Weiss, David, "Untitled," 8.1, 100.
Weiss, Lynne, "The Wednesday After Thanksgiving," 28.2.
Welch, Philip, "House by Water," 17.1, 150-151.
Welker, Holly, "Christian Art," 17.1, 158-159.
Wenderoth, Joe, "Alone Throwing Stones," 21.1, 21.
West, Marlys, "Edward," 24.2, 141.
Wetmore, Elizabeth, “How to Lose 30 lbs. in 30 Days!” 30.1, 147-159.
Wheeler, Kate, "Under the Roof," 17.2, 39-56. Whitaker, Robert, "Tribal Dues," 12.2, 41-50.
White, Mary Jane, "Of All Plants, The Tree," 4.2, 79.
White, Nancy, "Confection," 18.1, 94; "Five Fantastic Ways to Die," 27.1, 100-101.
Whyatt, Frances, "Building a Table of the Male Muse," 1.2, 31; "In the Last Corruptible Noon of Summer," 1.2, 32-36.
Wieland, Liza, "Oil Painting," 12.1, 10-11.
Wier, Allen, "Waiting for Cage," 1.2, 14-24; "from Departing as Air," 9.2, 32-39; "William Goyen: Speech for What is Not Spoken," 10.1, 160-164; "Marking the Weather," 15.2, 174-176; "An Afternoon of Blood," 22.2, 159-182.
Wier, Dara, "Ernie and Lucille at the Ferry," 5.2, 34-35; "Ernie and Lucille Play Ponytail Canasta," 5.2, 36; "Ernie and Lucille Galavant at Da Wabbit's," 5.2, 37; "Lucille Examines the Family Album," 5.2, 38-39; "Ernie Reminisces at the K.C. Hall," 5.2, 40-41; "The Innate Deception of Unspoiled Beauty," 5.2, 42; "Dreamland," 10.2, 62-63; "Daytrip to Paradox," 10.2, 64-65; "After the Birds Learned to Count to Eight," 21.2, 52-53; "Reflection Upon Sitting, Along With a Friend, for an Itinerant Painter, Manitoba, 1938," 21.2, 54-55.
Wiginton, Ron, "The Blood Rushing Face Thing," 22.2, 34-40.
Wilbur, Richard, "On Translation, Formalism, and Beloved Books of Childhood," 22.2, 142-158.
Wild, Peter, "The Painter", 1.1, 56; "Cordilleras," 1.1, 57; "Badlands," 1.1, 58; "Painting the Mormon Church," 8.2, 64-65; "Tetons," 8.2, 66; "The Shroud of Turin," 10.2, 72.
Wilder, Rex, "Lonely Man Confronts the World's Problems from His Living Room," 12.2, 72.
Williams, Cynthia, "Fish," 20.1, 125-136.
Williams, Joy, "Holding Patterns," 19.1, 31-33.
Wilson, Emily Herring, "Light and Dark," 5.2, 43-44.
Wilson, Robley, Jr., "The Man With the Blind Wife," 7.2, 40; "Listening for Stars," 7.2, 41; "Ice," 9.2, 25.
Willson, Julie, "Points to Remember," 13.2, 66.
Winkel, Nance Van, "Irregular Moons Over the Metro," 15.2, 80-81; "His Hands Were Empty, Mine Were Full," 21.1, 19; "Back Window, Front Window," 22.2, 116.
Wischner, Claudia March, "Helix," 5.1, 34.
Windsor, Cooley, "Saving Lot," 12.2, 51-52.
Wisniewski, Mark, "Three-Quarters Stitched," 25.2, 110-121.
Withrow, Shelly, "Rasp," 18.1, 171-172.
Withycombe, Amber, "Salton Sea: Some Geographies of Relocation," 28.2.
Witschel, John, "In Winter", 3.2, 25; "Survival", 3.2, 26; "Whitefox", 3.2, 27.
Witt, Sam, "Sunflower-Brother," 21.2, 22-27; "Listening Room," 23.1, 110-111.
Wohlfeld, Valerie, "An Echo of Crows: The Black Bird," 13.2, 89-92.
Wojahn, David, "Patagonia Gorge," 7.1, 58-59; "North by Northwest," 11.1, 18-19; "The World of Donald Evans," 11.1, 20-21; "Burned Tract," 21.1, 43.=
Wood, Paul, "Domestic Portrait in the Steel Bowl of an Electric Mixer," 24.1, 136-137.
Worley, Jeff, "Skunk," 16.2, 52-54; "Dog," 16.2, 55; "Sin," 19.2, 132; "From a Canister Labeled Abilene, 1938," 25.2, 22-23; "Veterans Day 2000, Tuscon," 28.2.
Wormser, Baron, "The Autumns," 7.2, 61; "The Brothers," 7.2, 62.
Worozbyt, Theodore, "Birthday," 12.1, 57-58.
Wray, Tara, “On the Floor and in the Middle of Everything,” 30.2, 120-121.
Wright, Carolyne, "Leaving the Conservatory," 7.1, 95-96; "Photo of Myself," 97-98 (AWP Poetry Series Finalist); "Josie Bliss, October 1971," 10.1, 7-10; "Message to César Vallejo," 10.1, 11-12.
Wright, C.D., "The Substitute Bassist," 7.1, 33; "Jazz Impressions in the Garden," 7.2, 83; "Landlocked, Fallen, Unsung," 7.2, 84; From Livelihoods of Freaks and Poets in the Western World," 7.2, 85; "Who Sit Watch in Daylight," 7.2, 86-87; "Alla Breve Loving," 8.2, 74; "Little Sisters," 11.1, 72-73; "Deepstep Come Shining," 24.2, 101-139.
Wright, Justin, "Small Talk," 20.1, 22-23.
Wrigley, Robert, "Flies," 22.1, 87-88; "Peace," 22.1, 89-90; "X-ray of a Kiss," 23.2, 105.
Wyrebek, M., "Unknowing," 22.1, 125-126.
Wysong, Brennen, "The Sin-Eater's Tale," 23.2, 74-87. |
X
|
Y
Yandrich, Aaren, "Sometimes You Can Tell: Compulsory Homosexuality and Contested Literature," 29.2, 122-126.
Yosifova, Ekaterina, "Beneath Winter's Roof," 18.1, 98.
Youmans, Marlene, "Self-Portrait at 2:00 a.m.", 3.1, 23; "How It Is", 3.1, 24-25.
Young, Al, "A Little Homemade Greed: American Style," 11.2, 37-46.
Young, Dean, "Biography With Lack of Sleep," 16.2, 108-109.
Young, Franklin T., "The Unseen Riot," 14.1, 93-97.
Young, Gary, "Simple Things," 2.1, 31; "Nights Alone", 2.1, 31; "Beyond Sleep", 3.1, 9-13; "Four Days," 20.1, 84.
Young, Robert Clark, "One Writer's Big Innings," 19.1, 89-105; "On Being Published in Black Warrior Review," 29.1, 153-154. |
Z
Zacek, Ray, "Nestor," 17.1, 81-83. Zacharias, Lee, "from Lessons", 3.1, 33-80. Zafris, Nancy, "Cosmetic Surgery," 12.1, 47-52; "The People I Know," 11.2, 70-86; "A Minor Fatality," 16.1, 38-48.
Zappala, Robyn, "Two Women," 18.1, 168.
Zawacki, Andrew, "Heresy," 24.2, 57; "[selections from] Mise en scène," 25.2, 108-109.
Zeidner, Lisa, "Because I Can't," 6.2, 67; "Mind The Quiet," 7.1, 99-100 (AWP Poetry Series Finalist); "Freud is Dead," 7.1, 101-103 (AWP Poetry Series Finalist).
Zimmer, Paul, "The Eisenhower Years," 7.2, 7-8; "Zimmer Youth," 7.2, 9-10; "The Great Bird of Love Over the Kingdom," 10.2, 17; "Blues for Old Dogs," 10.2, 18.
Zweig, Martha, "Invective," 24.1, 32; "Riddance," 24.1, 33.
Zydek, Frederick, "Pond," 6.2, 39-40. |
|
|
Interviews
BWR, "With Zimmer: A Conversation with Paul Zimmer," 7.2, 88-100; "W.S. Merwin: An Interview," 8.2, 7-20; "Wright Morris: An Interview," 10.1, 142-155.
Bunge, Nancy, "Conversation with Marvin Bell," 26.2, 122-143. Cheng, Terrence, "A Conversation with Madison Smartt Bell," 23.2, 120-130. Clewett, Naomi, "Conversation with Lynn Emanuel," 27.2, 154-162. Deblinger, Paul, "An Interview with John Engels," 6.1, 79-87. Fry, Joan, "A Conversation with Janet Burroway," 24.1, 147-154. Gehrman, Jody, "Shit and Death: An Interview with T.C. Boyle," 28.1. Jeffrey, David K. (and Don Noble), "Harry Crews: A Part of an Interview," 5.2, 89-92. Kaplan, Dan, “Handmade: A Sit-Down with Book Artist Steve Miller,” 30.2, 78-90. Kelen, Leslie, "The Only Way To Live: An Interview with David Ignatow," 19.2, 110-126. Lazer, Hank, "A Conversation with Allen Wier," 5.2, 80-88. McKay, Robert, "A Conversation with Rodney Jones," 22.2, 25-32. Meese, Elizabeth, "An Interview with Margaret Atwood," 12.1, 88-108. Noble, Don, "An Interview with Seymour Krim," 1.1, 59-72; (with David K. Jeffrey) "Harry Crews: A Part of an Interview," 5.2, 89-92; "A Conversation with John Barth," 25.2, 125-145; "A Conversation with Toni Morrison," 27.1, 138-152; "Interviews with Michael Cunningham, Sena Jeter Naslund, Josephine Humphreys, & Margaret Walker Alexander," 28.2. Plath, James, "An Interview With Bob Shacochis," 16.2, 38-51. Sartwell, Alexander, "Notes on Verse Writing," 5.2, 94-102. Shomer, Enid, "An Interview with Bobbie Ann Mason," 12.2, 87-102. Smith, Marcel, "A Conversation with William Matthews," 1.2, 57-77; "Flight: An Interview with Barry Hannah," 5.1, 109-111. Trucks, Rob, "A Conversation with Thom Jones," 22.1, 143-162; "A Conversation with Rick Moody," 23.1, 124-140; "A Conversation with Barry Hannah," 24.2, 13-40.
Welborn, Braden, “The Life of Joanie Mackowski,” 30.1, 16-19; “The Life of Loren Goodman,” 30.1, 39-43; “The Life of Jonah Winter,” 30.1, 59-61; “The Life of Arielle Greenberg,” 30.1, 66-68; “The Life of Michael Teig,” 30.1, 71-74; “The Life of Beth Ann Fennelly,” 30.1, 93-96; “The Life of Aimee Nezhukumatathil,” 30.1, 115-116; “The Life of Kathleen Ossip,” 30.1, 137-139. |
Reviews
Abildskov, Marilyn, rev. of All the Lost Girls: Confessions of a Southern Daughter by Patricia Foster, 27.2, 163-164. Ashburner, Karen, rev. of Hummingbird House by Patricia Henley, 27.1, 163-166. Baker, Brett R., rev. of El Camino del Rio by Jim Sanderson, 25.2, 165-166. Barker, Brian, rev. of Talking Dirty to the Gods by Yusef Komunyakaa, 27.2, 169-174. Barret, John, rev. of Blessing The House by Jim Daniels, 25.1, 172-174. Bensko, John, rev. of Cascades by Pamela Stewart, 6.2, 128-132. Black, William, rev. of The New Life by Orhan Pamuk, 24.1, 169-170. Blair, John, rev. of Synchronized Swimming by Stephen Corey, 12.1, 109-112. Blythe, Will, rev. of Light by Eva Figues, At the Bottom of the River by Jamaica Kincaid and Family Dancing by David Leavitt, 11.1, 97-104. Brown, Leesa, rev. of Life Work by Donald Hall, 20.2, 167-172. Bunnell, Henry K., rev. of Straight Razor by Harold Jaffe, 22.1, 172-174. Caleshu, Anthony, rev. of Approximate Darling by Lee Upton, 23.2, 133-136; rev. of The Glass Anvil by Andrew Hudgins, 23.2, 137-139. Chambers, Christopher, rev. of The Lake by Daniel Villasenor, 27.1, 160-163. Conroy, Alicia, rev. of The Migration of Ghosts by Pauline Melville, 26.1, 153-155. Cribbs, Henry, rev. of Popular Culture by Albert Goldbarth, 17.1, 141-142. Custer, Chris, rev. of Draft X: Letters by Rachel Blau DuPlessis, 18.1, 122-126. Davis, James, Jr., rev. of Vanishing Animals by Mary Morris, 6.2, 133-135; rev. of Doing Fine, Thank You: Collections of Short Fiction, 7.1, 110-115. Day, Cathy, rev. of How I Came West and Why I Stayed by Alison Baker, 21.1, 165-168. Dice, Ric, rev. of Fiction and the Figures of Life by William H. Gass, 2.1, 46-48. Dick, E.W., rev. of Saturday Night in Baoding: A Chine Memoir by Richard Terrill, 17.1, 142-144. Doherty, Matthew, rev. of Things Are Happening by Joshua Beckman, 26.2, 185-188. Eddins, Dwight, "A Black-Sailed Unfamiliar: The Collected Poems of Philip Larkin," 16.1, 125-128. Fraterrigo, Melissa, rev. of The Minotaur Takes a Cigarette Break by Steven Sherrill, 27.2, 174-176. Fremlin, Jennifer A., rev. of The Queen of October by Shelley Fraser Mickle, 17.1, 133-134; rev. of Aquaboogie by Susan Straight, 17.2, 126-127. Geiger, Timothy, rev. of Mozart's Starling by Ralph Burns, 17.2, 131-132; rev. of The Ghost of Eden by Chase Twichell, 22.2, 187-191; rev. of Small Invasions by Beth Weatherby, 24.2, 182-183. Gilbert, Jack, "Opening a Door to Ishmael," a rev. of Lovesick by Gerald Stern, 14.1, 103-106. Giles, Richard, "Souping-Up the Hard Times: Madison Smartt Bell's Soldier's Joy," 16.1, 129-131. Hamilton, Jeff, rev. of four books of poetry: Bitter Angel by Amy Gerstler, Enter Dark Stranger by William Trowbridge, The Drowned River by Thomas Lux and Desire in L.A. by Martha Ronk, 17.1, 118-129; rev. of The Selected Letters of George Oppen edited by Rachel Blau DuPlessis, 18.1, 131-135. Hammond, Karla, rev. of nervous horses by Vicki Hearne, 7.1, 107-109. Hankla, Cathy, rev. of The 8-Step Grapevine by Dara Wier, 7.2, 101-103. Hanzimanolis, Margaret, rev. of Eva-Mary by Linda McCarriston, 18.1, 140-141. Hathaway, Dev, rev. of Intro II and Intro Sampler Special, 7.1, 116-117; rev. of The Night Won't Save Anyone by Marcia Southwick, 8.1, 103-107; rev. of Last Days of the Dog-Men by Brad Watson, 23.1, 156-158. Haven, Stephen, rev. of Saints and Strangers by Andrew Hudgins, 12.2, 131. Heffron, Jack, rev. of The People I Know by Nancy Zafris, 17.1, 131-132; rev. of Squandering the Blue by Kate Braverman, 17.2, 134-135. Hermann, Patrick, rev. of Loony by William Kloefkorn, 2.1, 48-50. Hershey, Jon, rev. of What We Talk About When We Talk About Love by Raymond Carver, 8.1, 108-110; "A Snapshot From Home: Entering A World Unsuspected," a review of A World Unsuspected: Portraits of Southern Childhood, University of North Carolina Press, 14.1, 111-115; rev. of Familiar Heat by Mary Hood, 22.2, 191-195. Hilgartner, Jim, rev. of Emergency Calls by Gary Finke, 24.1, 167-169. Hoagland, Tony, rev. of A Pleasure Tree by Robley Wilson, 17.1, 137-138; rev. of The Holyoke by Frank Gaspar, 17.1, 138-139; rev. of The Want Bone by Robert Pinsky, 17.1, 139-141. Hoeppner, Ed, rev. of The Story They Told Us of Light and Raw-Boned, Blond and Highly Technical by Rodney Jones, 7.1, 104-106. Holden, Jonathan, rev. of Northern Lights by Susan Ludvigson, 9.1, 112-116; rev. of Sure Signs: New and Selected Poems by Ted Kooser, 9.1, 116-118. Holmes, Thomas Alan, rev. of Still Life with Insects by Brian Kiteley, 17.1, 134-136; rev. of Easter Weekend by David Bottoms, 17.1, 136-137; rev. of How the Garcia Girls Lost Their Accents by Julia Alvarez, 18.1, 135-136; rev. of Los Gusanos by John Sayles, 18.1, 136-139. Horn, Tammy, rev. of Saving Grace by Lee Smith, 22.2, 195-197; rev. of Hunter-Gatherer by R.T. Smith, 23.1, 158-162. Horne, Jennifer, rev. of Sea Level by Suzanne Matson, 17.2, 130-131; rev. of Worldling Poems by Elizabeth Spires, 24.1, 160-163; rev. of Winter Morning with Crow by Clare Rossini, 24.2, 176-177. Hudgins, Andrew, rev. of From A White Woman's Journal by Carolyne Wright, 13.2, 101-104. Hyman, Gabby, rev. of Voicelust: Eight Contemporary Writers on Style edited by Allen Wier and Don Hendrie, Jr., 12.2, 121-123. Irwin, Mark, rev. of New Dark Ages by Donald Revell, 18.1, 117-122. Jack, Zachary, rev. of Bewitched Playground by David Rivard, 27.1, 157-160. Jeffrey, David K., rev. of Airships by Barry Hannah, 5.1, 112-115. Jones, J.R., rev. of The Wars of Heaven by Richard Currey, 17.1, 130-131. Jones, Robert C., rev. of After the Reunion by David Baker, 21.2, 164-167. Jones, Rodney, rev. of The Thirteen Original Poems, by Everette Maddox and Homing In by Larry Moffi, 4.2, 106-109; rev. of Stories That Could Be True by William Stafford and New And Selected Poems by George Scarbrough, 5.1, 99-108. Kartsonis, Ariana-Sophia M., rev. of The Secret History of Water by Silvia Curbelo, 24.2, 171-172; rev. of Conversations During Sleep by Michele Wolf, 25.1, 179-181. Kirchner, Neal, rev. of Durable Goods by Suzanne Matson, 21.1, 162-164; rev. of Anna and the Steel Mill by Deborah Burnham, 22.1, 174-178; rev. of Picnic, Lightning by Billy Collins, 25.2, 167-169. Kuzma, Greg, rev. of The Happy Man by Donald Hall, 13.2, 105-108. Leiby, Jeanne, rev. of Atticus by Ron Hansen, 23.1, 162-163; rev. of Tenorman by David Huddle, 23.1, 164-165; rev. of Within the Lighted City by Lisa Lenzo, 24.2, 180-182; rev. of The Harvest and Certain Animals by Judith Hemschemeyer, 25.1, 175-177. Looney, George, rev. of Letters on Cezanne by Rainer Maria Rilke, 13.1, 126-128. Lovelace, Sean Aden, rev. of Beyond Heart Mountain by Lee Ann Roripaugh, 26.1, 156-158. Manning, Maurice, rev. of The Mother on the Other Side of the World by James Baker Hall, 26.1, 161-163. Marshall, Tod, rev. of Refinery by Claudia Keelan, 21.2, 173-178. May, Alan, rev. of Tremble by C.D. Wright, 24.2, 177-180; rev. of Enemies of the State by Thomas Rabbit, 26.2, 179-182. McAdams, Janet, "Ways to Re-Enter the World: First Books By Helene Davis and Judith Berke," rev. of Chemo-Poet and Other Poems by Helene Davis and White Morning by Judith Berke, 16.2, 133-137. McKay, Robert, rev. of Apocalyptic Narrative and Other Poems by Rodney Jones, 21.1, 168-173. Mejia, Michael, rev. of Nosferatu by Jim Shepard, 25.2, 162-165. Memmott, Roger Ladd., rev. of I Would Have Saved Them If I Could by Leonard Michaels, 3.2, 71-73. Mock, Jeff, rev. of Late Empire by David Wojahn, 21.2, 178-182; rev. of Honorable Amendments by Michael S. Harper, 22.2, 183-187; rev. of The Post-Rapture Diner by Dorothy Barresi, 23.1, 163-164; rev. of Vision of a Storm Cloud by William Olsen, 23.1, 165-166; rev. of The Body Mutinies by Lucia Perillo, 23.2, 131-132; rev. of Sky and Island Light by Brendan Galvin, 24.1, 155-157; rev. of In Every Seam by Allison Joseph, 24.1, 158-160. Moffi, Larry, "The Landscape of Memory: A Review of Bruce Weigl's The Monkey Wars," 13.1, 121-125. Mott, Glenn, rev. of Necromance by Rae Armantrout, 18.1, 126-131. Mullen, Laura, rev. of The Patriot by Christopher Davis, 25.2, 169-172. Murphie, Kay A., rev. of Dreaming of Rivers by Eric Trethewey, 12.2, 124-126. Noble, Don, rev. of Blount's Anvil by Don Hendrie, Jr., 7.2, 104-107 Ossman, April, rev. of My Alexandria by Mark Doty, 21.2, 166-173. Parrish, Tim, rev. of Dirty Work by Larry Brown, 17.1, 132-133; rev. of Daughters of the House by Michelle Roberts, 20.1, 100-102. Pettit, Michael, rev. of Yellow Light by Garrett Kaoru Hongo and The Incognito Lounge by Denis Johnson, 9.2, 118-124; rev. of Erosion by Jorie Graham and Constant Defender by James Tate, 10.2, 96-105. Pierman, Carol J., rev. of The Death of Donna-May Dean by Joey Manley, 18.1, 139-140. Pruett, Lynn, rev. of Ferris Beach by Jill McCorkle, 17.2, 132-133. Roderick, David, rev. of Pity the Bathtub Its Forced Embrace of the Human Form by Matthea Harvey, 27.2, 165-168. Revell, Donald, "The Momentary Museum: On the Poems of Bill Knott," 16.1, 132-137. Rutsala, Vern, rev. of The Hours of Morning: Poems 1976-1979 by William Carpenter, 9.1, 103-106; rev. of Icehouse Lights by David Wojahn, 9.1, 106-108; rev. of Running Lights by Henry Carlile, 9.1, 108-111. Schmidt, Nicola, rev. of A Robber in the House Jessica Treat, 20.1, 103-105. Skipper, Louie, rev. of Any Given Day by Ralph Burns and Esperanza's Hair by Peggy Shumaker, 12.1, 113-117; "The One Clear Unspoken Sign: Four Young Poets," including rev. of How to Enter the River by Jeanie Thompson, The Double Genesis by Dennis Sampson, The Odds by Chase Twichell and The Unborn by Rodney Jones, 12.2, 103-120. Smith, Marcel, "Essentially Non-Essential," a rev. of The Essential Poets, the Ecco Press, 14.1, 107-110. Sprayberry, Sandra, rev. of Walking Past Midnight by John Morgan, 16.2, 130-132. Sullivan, Mark, rev. of Once I Gazed at You in Wonder by Jan Heller Levi, 26.2, 189-191. Sweetman, Charles, rev. of Poachers by Tom Franklin 26.2, 182-185. Teare, Brian, rev. of A Stick That Breaks and Breaks by Marianne Boruch, 25.1, 170-172. Tekulve, Susan, rev. of My People's Waltz by Dale Ray Phillips, 26.1, 159-161. Thomas, Elizabeth, rev. of The Weather Book by Janet Kauffman, 8.2, 115-117. Thompson, Jeanie, rev. of Instructions to the Double by Tess Gallagher, 4.2, 109-116; rev. of The Room Where Summer Ends by Peter Cooley, 7.2, 108-110. Unferth, Deb Olin, rev. of The Flatness and Other Landscapes by Michael Martone, 27.1, 153-156. Watson, Brad, rev. of Better Get Your Angel On by Jennifer Allen, 17.2, 128-130. Wieland, Mitch, rev. of Vinegar Hill by A. Manette Ansay, 21.2, 163-164. Wier, Allen, rev. of An Evening Performance by George Garrett, 12.2, 127-130. Williams, Nicola, rev. of Entered From the Sun by George Garrett, 17.2, 127-128. Wilkes, Kennette H., rev. of Witness by Jeanie Thompson, 23.1, 166-167. Wilson, Eliot, rev. of Elegy by Larry Levis, 24.2, 172-176; rev. of Oldcat and Ms Puss by Joe Taylor, 25.1, 177-179. Wojahn, David, rev. of A Place at the Table by Steve Orlen, 8.2, 105-114; rev. of Flood by William Matthews and This Journey by James Wright, 9.2, 106-117. Wright, Carolyne, rev. of Reckless Wedding by Maria Flook and The Forces of Plenty by Ellen Bryant Voigt, 10.2, 104-112; "Alice James Books: Helena Milton's The Canal Bed and Joan Joffe Hall's Romance and Capitalism at the Movies," 13.1, 129-134. Wyshynski, James, rev. of Emotional Traffic by Ira Sadof, 17.1, 141; rev. of Plato at Scratch Daniel's and Other Stories by Edward Falco, 17.2, 135-136. Yarbrough, Scott, rev. of Sharpshooter by David Madden, 23.2, 136-137; rev. of Saved by F. Scott Fitzgerald by Allen Woodman, 24.1, 163-165; rev. of Food Fights: Tales from the Restaurant Trade by Fred Bonnie, 24.1, 165-167. Zafris, Nancy, rev. of Back Before the World Turned Nasty by Pauline Mortensen, Fifty Years of Eternal Vigilance by Carolyn Thorman and Within the Ribbons by Frank Manley, 16.2, 124-129. |
| |
|