Dish Night
Michael Martone
Every Wednesday was Dish Night at the Wells Theatre.
And it worked because she was there, week in and week out.
She sat through the movie to get her white bone china. A
saucer. A cup. The ushers stood on chairs by the doors
and reached into the big wooden crates. There was straw
all over the floor of the lobby and bals of newspaper from
strange cities. I knew she was the girl for me. I'd walk
her home. She'd hug the dish to her chest. The street
lights would be on and the moon behind the trees. She'd
talk about collecting enough pieces for our family of
eight. "Oh, it's everyday and I know it," she'd say,
holding it at arm's length. "They're so modern and simple
and something we'll have a long time after we forget about
the movies."
I forget just what happened then. She heard about Pearl
Harbor at a Sunday matinee. They stopped the movie, and a
man came out on stage. The blue stage lights flooded the
gold curtain. It was dark in there, but outside it was
bright and cold. They didn't finish the show. Business
would pick up then, and the Wells Theatre wouldn't need a
Dish Night to bring the people in. The one we had gone to
the week before was the last one ever and we hadn't known
it. The gravy boat looked like a slipper. I went to the
war, to Europe where she'd write to me on lined school
paper and never failed to mention we were a few pieces shy
of the full set.
This would be the movie of my life, this walking home
under the moon from a movie with a girl holding a dinner
plate under her arm like a book. I believed this is what
I was fighting for. Everywhere in Europe I saw broken
pieces of crockery. In the farmhouses, the cafes. Along
the roads were drifts of smashed china. On a beach, in
the sand where I was crawling, I found a bit of it the sea
washed in, all smooth with blue veins of a pattern.
I came home and washed the dishes every night, and she
stacked them away, bowls nesting on bowls as if we were
moving the next day.
The green field is covered with these tables. The sky
is huge and spread with clouds. The pickup trucks and
wagons are backed in close to each table so that people
can sit on the lowered tailgates. On the tables are
thousands of dishes. She walks ahead of me. Picks up a
cup then sets it down again. A plate. She runs her
finger around a rim. The green field rises slightly as we
walk, all the places set at the tables. She hopes she
will find someone else who saw the movies she saw on Dish
Night. The theater was filled with people. I was there.
We do this every Sunday after church.