"I become cold, no longer inhabitable."
Bob Sward's Writer's Friendship Series A quick list to poets featured in this issue:
|
Kevin Tsai
A Narrow Porthole
That morning, when the lie of your look
Clinically unsteadied to scavenge
Nights, endless without angry words—
Of Yankee towns and English games
To everyone but me. There, I saw,
Of electricity boring into my wrist
I could not visit your imprisoned world
_______________________________________________________________ Upward Mobility, Musically
Like Hadrian I caught myself speaking
To witness or to forgive. The presence
Care for the instrument: quinined hand,
Took me on a winter trip, always far
Next to silver-nerved quickness. I am in
My heart with no unstrung longing knows
I will make a conservatory room out
I become cold, no longer inhabitable.
Not five pounds, and my fingers unsinewed.
_______________________________________________________________
NOTES ON THE POEM
Upward Mobility, Musically. Compare the title with “young, upwardly
mobile.”
L1. Like Hadrian… In Marguerite Yourcenar’s Mémoires d’Hadrien
L7. winter trip. Cf. Wilhelm Müller’s Die Winterreise (“The Winter
Trip”),
known mostly via Franz Schubert’s lieder cycle of the same name. The
speaker of Müller’s poem, after losing his lover to her mother’s
pragmatic sensibility, embarks on a journey that leads further and
further into desolation and despair.
L10. hellebore. In antiquity, hellebore, deadly in large quantities,
served as medicine for a variety of illnesses. Stoics used this term as
a
L12. Necessity. For the Greeks, the abstract concept of unalterable
necessity personified is the goddess Anankê, literally “Necessity,” who
holds all mortals and immortals in bonds.
16-17. Item. I leave all my debts, the whole/ Not five pounds.
L18. red thread. A Zen koan formulated by a Chinese monk named Songyuan:
“Why is it that even the most clear-eyed monk cannot sever the red
thread
of passion between his legs?”
_______________________________________________________________ |